after day, but after my eyes grew accustomed to the details of the room I began to notice small things—the brushes rearranged on the top of the cupboard, one of the cupboard’s drawers left ajar, the palette knife balanced on the easel’s ledge, a chair moved a little from its place by the door.
Nothing, however, changed in the corner he was painting. I was careful not to displace any of it, quickly adjusting to my way of measuring so that I was able to clean that area almost as quickly and confidently as the rest of the room. And after experimenting on other bits of cloth, I began to clean the dark blue cloth and yellow curtain with a damp rag, pressing it carefully so that it picked up dust without disturbing the folds.
There seemed to be no changes to the painting, as hard as I looked for them. At last one day I discovered that another pearl had been added to the woman’s necklace. Another day the shadow of the yellow curtain had grown bigger. I thought too that some of the fingers on her right hand had been moved.
The satin mantle began to look so real I wanted to reach out and touch it.
I had almost touched the real one the day van Ruijven’s wife left it on the bed. I had just been reaching over to stroke the fur collar when I had looked up to see Cornelia in the doorway, watching me. One of the other girls would have asked me what I was doing, but Cornelia had just watched. That was worse than any questions. I had dropped my hand and she’d smiled.
Maertge insisted on coming with me to the fish stalls one morning several weeks after I had begun working at the house. She loved to run through Market Square, looking at things, petting the horses, joining other children in their games, sampling smoked fish from various stalls. She poked me in the ribs as I was buying herring and shouted, “Look, Griet, look at that kite!”
The kite above our heads was shaped like a fish with a long tail, the wind making it look as if it were swimming through the air, with seagulls wheeling around it. As I smiled I saw Agnes hovering near us, her eyes fixed on Maertge. I still had not told Agnes there was a girl her age in the house—I thought it might upset her, that she would feel she was being replaced.
Sometimes when I visited my family at home I felt awkward telling them anything. My new life was taking over the old.
When Agnes looked at me I shook my head slightly so that Maertge would not see, and turned away to put the fish in my pail. I took my time—I could not bear to see the hurt look on her face. I did not know what Maertge would do if Agnes spoke to me.
When I turned around Agnes had gone.
I shall have to explain to her when I see her Sunday, I thought. I have two families now, and they must not mix.
I was always ashamed afterwards that I had turned my back on my own sister.
I was hanging out washing in the courtyard, shaking out each piece before hanging it taut from the line, when Catharina appeared, breathing heavily. She sat down on a chair by the door, closed her eyes and sighed. I continued what I was doing as if it were natural for her to sit with me, but my jaw tightened.
“Are they gone yet?” she asked suddenly.
“Who, madam?”
“Them, you silly girl. My husband and— Go and see if they’ve gone upstairs yet.”
I stepped cautiously into the hallway. Two sets of feet were climbing the stairs.
“Can you manage it?” I heard him say.
“Yes, yes, of course. You know it’s not very heavy,” another man replied, in a voice deep like a well. “Just a bit cumbersome.”
They reached the top of the stairs and entered the studio. I heard the door close.
“Have they gone?” Catharina hissed.
“They are in the studio, madam,” I responded.
“Good. Now help me up.” Catharina held out her hands and I pulled her to her feet. I did not think she could grow much bigger and still manage to walk. She moved down the hallway like a ship with its sails full, holding on to her bunch of
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