what’s wrong?’
Dorothy held out Daly’s letter. ‘I don’t think I shall beplaying Zara or anything else,’ she said. ‘I’ve thought of running away. But where to? If I go on acting and make any sort of name he will find me. If I don’t, how can I live?’
‘Well, what are you planning to do?’ he asked.
‘I’m trying to make some plan.’
‘And didn’t it occur to you to consult me?’
Dorothy shook her head. ‘There is nothing to be done. I see it all clearly. From the day I set eyes on that man there was no hope for me.’
Cornelius laughed. ‘You forget, my dear, that I am not a poor man. You forget too my interest in you as my adopted daughter and one of our finest actresses. Daly shall have his money at once and that will be an end of the villain as far as you are concerned. I will send off the money without delay then we can continue with the serious business of rehearsing for Zara .’
It was like a great weight which had burdened her for a long time suddenly dropping from her. She was free. She need never wake in the night from a dream of a dark attic, and lecherous tentacles stretching out for her across the sea.
Her dear friend Cornelius Swan had severed the chains which bound her to that evil man.
She was free… almost, but not entirely.
She still had to bear his child.
One night when Dorothy was playing Priscilla Tomboy there was great excitement in the theatre because an actor from London had arrived in York to see the play.
It was stimulating to know he was there and Dorothy, free from menace for the first time for more than a year, gave a sparkling performance, after which Mr Smith – who was no relation to the envious actress of the same name – came back-stage to congratulate the performers and in particular Dorothy.
‘You have a genius for comedy, Mrs Jordan,’ he said. ‘By Gad, I never saw Tomboy better played.’
This was great praise indeed coming from an actor who played in Drury Lane and had won the approval of London audiences.
Mr Smith was known as ‘The Gentleman’ because of his exquisite manners – he followed the Prince of Wales in his dress, they said; and he certainly had an exquisite way of taking hissnuff. He bowed with elegance and flattered most of the players, but Dorothy sensed that there was a certain sincerity in his praise for her. Why else should he be in the theatre every night she played? She was excited to know he was there, and was fully aware that when he was she played her best.
There were rumours throughout the theatre. Mr Sheridan had sent him up to look for talent. There was a chance that some of them would be invited to play in London. Covent Garden and Drury Lane were not an impossibility.
Wilkinson was a little dismayed. He did not want his big draws lured to London; he was particularly afraid of losing Mrs Jordan, for he had seen how interested The Gentleman was in her.
He raised Dorothy’s salary and said she should have another Benefit. Dorothy was delighted, but when Gentleman Smith returned to London and no offers came, he was forgotten.
While Mrs Smith was obliged to leave the theatre temporarily to give birth to her child, her parts fell to Dorothy who played them with a special verve and won great applause. She could not repress a certain malicious delight in picturing the incapacitated actress grinding her teeth wondering how much progress the Jordan was making during her absence. ‘Hers will come,’ declared Mrs Smith delightedly.
And in due course Dorothy retired from the stage to give birth to her child. It was a healthy girl and she called her Frances.
Mrs Smith had been working hard during Dorothy’s absence – both in the theatre and out. The company had gone to Hull where Dorothy would play her first part since her confinement. ‘Return of Mrs Jordan after a six weeks’ absence,’ ran the play bills, but Mrs Smith was determined that her rival was to have a cool reception.
Through friends in Hull
William C. Dietz
Ashlynn Monroe
Marie Swift
Martin Edwards
Claire Contreras
Adele Griffin
John Updike
Christi Barth
Kate Welsh
Jo Kessel