me, wheezing and muttering.
"Can't be north, and can't be Toltoona. They'll have the roads covered. Water, then. It has to be water."
I was counting the rungs as we went down. After seventy-eight we were again at the ledge. Enderton did not stop this time to rest on it, and nor did I. At the hundred and thirtieth rung I paused and finally risked a glance down. He was almost at the bottom, his face purple-red and his every breath a groan.
I kept going, and soon my boots were crunching into deep snow. I felt a giddy sense of relief and safety. Within a moment it was gone, because Paddy Enderton had me by the arm. He was leaning against me for support, but at the same time he was dragging me down the hill—away from the house.
"You're going the wrong way," I protested, and tried to pull free.
"No. The only way." His fingers tightened around my biceps, hard enough to hurt. "We're sailing across the lake, Jay."
"We can't. In another half hour it will be dark." And then, when he ignored that, "What about your things back at the house?"
"I have all I need." He patted his pocket. "No more talk. You take me. Tonight."
"Mother doesn't know where I am. I can't do it."
"If you want to live, you can. Or do you think Molly Hara would prefer a dead son? It's your choice." He reached with his free hand into his jacket pocket, and pulled out a thin-bladed knife. "You sail me to Muldoon Port, Jay Hara. Tonight. Or I cut your throat here and now, and take my chances sailing across by myself."
CHAPTER 6
I thought I would describe what it felt like to be out on Lake Sheelin at night, in winter, with a blustery wind rolling and pitching the little sailboat, and a murderous man holding a naked knife blade just a couple of feet away from me.
I can't do it. I think that terror must be like an earache or a stomachache. After it's over you know that you had it and you know that it hurt bad, but you can't feel it or even imagine it, once it has gone away.
I know it must have been freezing cold in the boat; but I have no memory of being cold. I must have set the sail, too, and used the distant lights of Muldoon Port to guide our course, but I don't remember that, either. What I do remember is the insane sense of relief, when we were a quarter of a mile offshore and Paddy Enderton put away his knife and pulled out of his pocket the same little wafer of black plastic that he had fiddled with back in the house, what seemed like weeks ago but was really only the previous day.
This time he must have done something different with it, because suddenly the plastic card disappeared. The volume around it became a three-dimensional pattern of colored points of light, moving in complicated spirals past each other. Enderton stared at them for a long time, then his hand reached out into the center of the display. The lights vanished. Once again he was gripping a plain black oblong.
It was the fascination of watching those lights that made me miss the other change, the one in Enderton himself. When we had first descended the water tower and floundered through deep snow down to the pier and the sailboat, my captor's breath had groaned and wheezed in his throat. Once seated in the boat, however, I had been too busy to take notice of it.
Now I heard his breathing change again, to a loud, painful grunt. Enderton's hand suddenly jerked up to paw at his throat. I could see his face only as a pale oval in the darkness, and I leaned forward to peer at it more closely. As I did so he gasped, shuddered, and flopped forward. His head met my knee, then slipped sideways to hit the wooden seat with a solid thud.
At first I thought he was doing it on purpose, and for a few seconds I was too scared to react. Then I reached out and shook his shoulder.
"Mr. Enderton!"
He lay face down, his legs caught under the seat. If it had not been for that, I think he would have toppled sideways and gone right overboard. As it was, the boat was too narrow for me to turn him over
"Can't be north, and can't be Toltoona. They'll have the roads covered. Water, then. It has to be water."
I was counting the rungs as we went down. After seventy-eight we were again at the ledge. Enderton did not stop this time to rest on it, and nor did I. At the hundred and thirtieth rung I paused and finally risked a glance down. He was almost at the bottom, his face purple-red and his every breath a groan.
I kept going, and soon my boots were crunching into deep snow. I felt a giddy sense of relief and safety. Within a moment it was gone, because Paddy Enderton had me by the arm. He was leaning against me for support, but at the same time he was dragging me down the hill—away from the house.
"You're going the wrong way," I protested, and tried to pull free.
"No. The only way." His fingers tightened around my biceps, hard enough to hurt. "We're sailing across the lake, Jay."
"We can't. In another half hour it will be dark." And then, when he ignored that, "What about your things back at the house?"
"I have all I need." He patted his pocket. "No more talk. You take me. Tonight."
"Mother doesn't know where I am. I can't do it."
"If you want to live, you can. Or do you think Molly Hara would prefer a dead son? It's your choice." He reached with his free hand into his jacket pocket, and pulled out a thin-bladed knife. "You sail me to Muldoon Port, Jay Hara. Tonight. Or I cut your throat here and now, and take my chances sailing across by myself."
CHAPTER 6
I thought I would describe what it felt like to be out on Lake Sheelin at night, in winter, with a blustery wind rolling and pitching the little sailboat, and a murderous man holding a naked knife blade just a couple of feet away from me.
I can't do it. I think that terror must be like an earache or a stomachache. After it's over you know that you had it and you know that it hurt bad, but you can't feel it or even imagine it, once it has gone away.
I know it must have been freezing cold in the boat; but I have no memory of being cold. I must have set the sail, too, and used the distant lights of Muldoon Port to guide our course, but I don't remember that, either. What I do remember is the insane sense of relief, when we were a quarter of a mile offshore and Paddy Enderton put away his knife and pulled out of his pocket the same little wafer of black plastic that he had fiddled with back in the house, what seemed like weeks ago but was really only the previous day.
This time he must have done something different with it, because suddenly the plastic card disappeared. The volume around it became a three-dimensional pattern of colored points of light, moving in complicated spirals past each other. Enderton stared at them for a long time, then his hand reached out into the center of the display. The lights vanished. Once again he was gripping a plain black oblong.
It was the fascination of watching those lights that made me miss the other change, the one in Enderton himself. When we had first descended the water tower and floundered through deep snow down to the pier and the sailboat, my captor's breath had groaned and wheezed in his throat. Once seated in the boat, however, I had been too busy to take notice of it.
Now I heard his breathing change again, to a loud, painful grunt. Enderton's hand suddenly jerked up to paw at his throat. I could see his face only as a pale oval in the darkness, and I leaned forward to peer at it more closely. As I did so he gasped, shuddered, and flopped forward. His head met my knee, then slipped sideways to hit the wooden seat with a solid thud.
At first I thought he was doing it on purpose, and for a few seconds I was too scared to react. Then I reached out and shook his shoulder.
"Mr. Enderton!"
He lay face down, his legs caught under the seat. If it had not been for that, I think he would have toppled sideways and gone right overboard. As it was, the boat was too narrow for me to turn him over
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