love with her.â
If her first remark had been a trifle disconcerting, the second took him completely aback.
âAre you setting up as a mind-reader, Miss Morell?â
âIâm sorry! But isnât it true?â
âNo! Wait! Hold on! Thatâs going a bit too far!â
The photograph had been having a hypnotic effect; he could not in honesty deny it. But that was curiosity, the lure of a puzzle. Miles had always been rather amused by those stories, usually romantic stories with a tragic ending, in which some poor devil falls in love with a womanâs picture. Such things had actually happened in real life, of course; but it failed to lessen his disbelief. And, in any case, the question didnât arise here.
He could have laughed at Barbara for her seriousness.
âAnyway,â he countered, âwhy do you ask that?â
âBecause of something you said earlier this evening. Please donât try to remember what it was!â Humour, a wryness about the mouth to contradict the smile in her eyes, showed in Barbaraâs face. âIâm probably only tired, and imagining things. Forget I said it! Only â¦â
âYou see, Miss Morell, Iâm a historian.â
âOh?â Her manner was quickly sympathetic.
Miles felt rather sheepish. âThatâs a highfalutinâ way of putting it, Iâm afraid. But it does happen to be true, in however small a way. My work, the world I live in, is made up of people I never knew. Trying to visualize, trying to understand, a lot of men and women who were only heaps of dust before I was born. As for this Fay Seton â¦â
âShe is wonderfully attractive, isnât she?â Barbara indicated the photograph.
âIs she?â Miles said coolly. âItâs not a bad piece of work, certainly. Coloured photographs are usually an abomination. Anyway,â fiercely he groped back to the subject, âthis woman is no more real than Agnes Sorel or â or Pamela Hoyt. We donât know anything about her.â He paused, startled. âCome to think of it, we havenât even heard whether sheâs still alive.â
âNo,â the girl agreed slowly. âNo, we havenât even heard that.â
Barbara got up slowly, brushing her knuckles across the table as though throwing something away. She drew a deep breath.
âI can only ask you again,â she said, âplease to forget everything Iâve just said. It was only a silly idea of mine; it couldnât possibly come to anything. What, a queer evening this has been! Professor Rigaud does rather cast a spell, doesnât he? And, as far as thatâs concernedâ â she spoke suddenly, twitching her head round â âisnât Professor Rigaud being a long time in finding a waiter?â
âProfessor Rigaud!â called Miles. He lifted up his voice powerfully. â Professor Rigaud !â
Again, as when the absent one had himself called for a waiter, only the rain gurgled and splashed in the darkness. There was no reply.
CHAPTER 5
M ILES rose to his feet and went over to the double-doors. He threw them open, and looked into an outer room sombre and deserted. Bottles and glasses had been removed from the improvised bar; only one electric light was burning.
âA queer evening,â Miles declared, âis absolutely right. First the whole Murder Club disappears. Professor Rigaud tells us an incredible story,â Miles shook his head as though to clear it, âwhich grows even more incredible when you have time to think. Then he disappears. Common sense suggests heâs only gone to â never mind. But at the same time â¦
The mahogany door to the hall opened. Frédéric, the head-waiter, his round-jowled face aloof with reproach, slipped in.
âProfessor Rigaud, sir,â he announced, âis downstairs. At the telephone.â
Barbara, who had stopped only long enough,
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