HEARTBREAKER by Julie Garwood Page A

melting, dressed as he was in his heavy gray uniform. As soon as the valet brought her car around the circle, the doorman stepped forward with a wide smile to open the door for her. But the smile vanished when she rechecked her directions to Our Lady of Mercy church.
    “Miss, there are churches much closer to the hotel,” he informed her. “Why, there’s one just a couple of blocks away on Main Street called Visitation. If it weren’t so hot, you could even walk there. It’s a beautiful old church and it’s in a safe neighborhood.”
    “I need to go to Our Lady of Mercy,” she explained.
    She could tell he wanted to argue with her, but he held his tongue. As she was getting into her car, he leaned forward and suggested that she lock her doors and not stop for any reason until she had reached the church’s parking lot.
    The area she drove into half an hour later was run-down and depressing. Abandoned buildings with broken windowpanes and boarded-up doorways lined the streets. Black graffiti on the walls screamed angry words at passersby. Laurant drove past a fenced-in, empty lot that some of the locals were using as a trash bin, and even with her windows up and the air-conditioning blasting away, she could still smell the stench of rotting meat. At the corner of the block were four little girls, about six or seven years old, dressed in their Sunday best. They were playing jump rope as they chanted a silly rhyme, giggling and carrying on like little girls do, oblivious to the destruction around them. In such decay, their innocence and beauty were jarring. The girls brought to mind a painting she had once seen during her studies in Paris. It was of a dirty brown field, fenced with black barbed wire, ugly and menacing with its sharp points. An angry gray sky swirled above. The mood was dark and bitter, yet in the left corner of the painting, entwined in the gnarled metal, a straggly yellow vine wound halfway to the top of the wire. And there, reaching toward heaven, was one perfect red rose just about to bloom. The painting was called
Hope,
and as Laurant watched the children at play, she was reminded of the artist’s message—that life will go on, and even in such blight, hope can and will flourish. Laurant committed to memory the scene of the little girls playing, hoping one day, when she had her paints, to capture them on canvas.
    One of the little girls stuck her tongue out at Laurant and then waved to her. Laurant retaliated in kind and smiled as the child dissolved into a fit of giggles.
    Four blocks ahead, in the midst of the rubble, sat Our Lady of Mercy Church. Twin pillars, painted white, stood as sentinels guarding the neighborhood. Mercy looked worn out from her duty. She was in desperate need of repair. Cracked paint peeled at the top of the pillars and the side of the church, and warped, rotting boards curled along the foundation. Laurant wondered how old the church was and pictured her all spruced up again. From the ornate carvings along the roofline and the stonework in front, Laurant knew she had once been magnificent. She could be again, with a little care and money. But would Mercy ever be renovated to her former glory, or, as was the horrid fashion these days, would she be ignored until it was too late and then torn down?
    A black wrought iron fence at least eight feet high surrounded the property on all sides. Inside the barrier was a large recently tarred parking lot and a whitewashed, stone house adjacent to the church. Laurant assumed this was the rectory and drove through the open gates, parking her car next to a black sedan.
    She had just gotten out and was locking the door when she noticed the police car. It was parked in the rectory’s driveway but was practically obstructed from view by the leafy branches of an old sycamore. Why were the police there? Probably more vandalism, she guessed, as Tommy had told her that the problems in the neighborhood had escalated in the last month. He