pulls into his driveway, gravel crunching, bouncing over potholes heâs been meaning to fill. A light is on in the kitchen. Inside he finds Shelby at the kitchen table, staring at her laptop. She wears ancient gray sweatpants and an old flannel shirt.
âOlivia was sick after supper,â she tells him. âShe threw up twice. Iâm so tired I donât know what to do.â
He leans in for a kiss and gets her forehead. âAgain?â
âShe has a nervous stomach.â
âWhat does she have to be nervous about?â He opens the fridge, locates and unwraps a leftover chicken leg.
âLet me get you a plate.â
âNah, thatâs okay.â He eats standing over the sink.
âThe bank called. I took a message. Itâs here somewhere.â Shelby riffles through the clutter on the tableâjunk mail, clipped couponsâand hands him a yellow Post-it note.
Rich takes it without looking and tucks it into his pocket.
âYouâre exhausted,â says Shelby. âYou canât keep doing this.â
âDad needs the help.â His father is healthy, mainly, though he spends more and more time running to doctorsâthe knee, a lingering cold, recurring appointments for what his doctor calls blood work (what exactly theyâre hoping to find in Dickâs blood, Rich isnât sure). The Commercial is too much for a man his age, and yet heâll never let go of it. Dick Devlin is that rare thing in Bakerton, a successstory: a respected businessman, president of the Borough Council. His old union buddies scrape by on Black Lung and hold court in the Legion, drinking to kill the day.
âHe needs to hire someone,â says Shelby.
âHe shouldnât have to. Itâs a family business. Darren could do it.â
This is not a new conversation. Unlike his sisters, who disappeared long ago into marriages and children, Richâs kid brotherâeternally single, earning chicken feed as a drug counselor in Baltimoreâhas nothing better to do. Heâd make more money and live cheaper and better, helping Dick run the bar. Itâs the least he can do, in Richâs view, Darren who caused their parents more grief than the other three kids combined.
âHeâd never move back here,â says Shelby.
âWhy the hell not?â
âNo bones in the disposal, sweetie. Remember last time.â
He throws the drumstick in the trash.
âYouâre home early,â says Shelby. âThatâs good, anyway.â
He takes the last beer from the fridge. âYeah, well. Giaâs helping Dad close. Supposedly. Itâs her night off.â Just saying her name has an immediate effect on him. He can nearly feel the weight of her head in his lap, though heâs never, in actual fact, experienced such a thing, a warm mouth in a parked car. Shelby isnât adventurous that way, or any other way he can think of.
âSo why is she hanging around there?â Shelby turns her attention back to the screen. âShe told me she quit drinking.â
âI didnât actually see her drinking. None of my business what she puts in her mouth.â
Shelby looks puzzled.
âShe was talking to those drillers. Just, you know, being social.â
His wife frowns, as though itâs an alien concept. As though they hadnâtâbefore they were married, a lifetime agoâclosed a few bars together: Rich and Shelby, Gia and whatever dirtbag she happened to be dating at the time. Back when Shelby and Gia were tooyoung to order their own drinks, Richâfresh out of the navy, newly divorcedâhad paid for them both, liking how it looked. They had seemed, at first, like two versions of the same thing, one brunette, the other blond. At a certain point he had to choose between them. Shelby had seemed the safer choice, a quiet, pretty girl who could be trusted.
âI worry about her,â says Shelby. âSheâs
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