under his weight, but no one called out. Once on the wall he crouched beside the high castle tower, his black robe invisible in the shadow cast by the waning moon. He watched down the wall’s length where it followed the hill’s contour until it turned the corner to the western gate where a dim red glow showed that the brazier was burning strongly. No watchmen were in sight. The friar reckoned the men must be warming themselves at the gate. He looked up, but saw no one at the castle’s rampart, nor any movement in the two half-lit arrow slits that glowed from lanterns inside the tall tower. He had seen three liveried men inside the crowded tavern and there might have been others that he had not seen, and he reckoned the garrison was either drinking or asleep and so he lifted his black skirts and unwound a cord that had been wrapped about his waist. The cord was made of hemp stiffened with glue, the same kind of cord that powered the dreaded English war bows, and it was long enough so that he was able to loop it about one of the wall’s crenellations and then let it drop to the steep ground beneath. He stayed a moment, staring down. The town and castle were built on a steep crag around which a river looped and he could hear the water hissing over a weir. He could just see a gleam of reflected moonlight glancing from a pool, but nothing else. The wind tugged at him, chilled him, and he retreated to the mooncast shadow and pulled his hood over his face.
The watchman reappeared, but only strolled halfway up the wall where he paused, leaned on the parapet for a time, then wandered back towards the gate. A moment later there was a soft whistle, jagged and tuneless like the song of a bird, and the friar went back to the cord and hauled it up. Knotted to it now was a rope, which he tied around the crenellation. “It’s safe,” he called softly in English, and then flinched at the sound of a man’s boots scuffing on the wall as he climbed the rope.
There was a grunt as the man hauled himself up the rampart and a loud crash as his scabbard thumped on the stone, but then the man was over and crouching beside the friar. “Here.” He gave the friar an English war bow and a bag of arrows. Another man was climbing now. He had a war bow slung on his back and a bag of arrows at his waist. He was more nimble than the first man and made no noise as he crossed the battlement, and then a third man appeared and crouched with the other two.
“How was it?” the first man asked the friar.
“Frightening.”
“They didn’t suspect you?”
“Made me read some Latin to prove I was a priest.”
“Bloody fools, eh?” the man said. He had a Scottish accent. “So what now?”
“The castle.”
“Christ help us.”
“He has so far. How are you, Sam?”
“Thirsty,” one of the other men answered.
“Hold these for me,” Thomas said, giving Sam his bow and arrow bag, and then, satisfied that the watchman was out of sight, he led his three companions down the wooden steps to the alley which led beside the church to the small square in front of the castle’s gate. The wooden faggots piled ready for the heretic’s death were black in the moonlight. A stake with a chain to hold the beghard’s waist jutted up from the waiting timber.
The castle’s tall gates were wide enough to let a farm cart enter the courtyard, but set into one leaf was a small wicket gate and the friar stepped ahead of his companions and thumped the small door hard. There was a pause, then a shuffle of feet sounded and a man asked a question from the gate’s far side. Thomas did not answer, but just knocked again, and the guard, who was expecting his companions to come back from the tavern, suspected nothing and pulled back the two bolts to open the door. Thomas stepped into the flamelight of two high torches burning in the inner archway and in their flickering glow he saw the guard’s look of astonishment that a priest had come to Castillon
Peter Corris
Patrick Flores-Scott
JJ Hilton
C. E. Murphy
Stephen Deas
Penny Baldwin
Mike Allen
Sean Patrick Flanery
Connie Myres
Venessa Kimball