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knows itâs here. We might as well be on a deserted island.â
As I follow her downstairs, I ask, âWhat do you do for fun?â
We climb inside her shiny orange car. It still has the new car smell. Eliza revs the engine. âWhatever I want.â
NINE
A valet attendant opens Elizaâs car door. He hands her a ticket and gets behind the wheel. Realizing Iâm still in the passenger seat, he clears his throat, signaling itâs time for me to get out. As I step onto the curb, I notice the procession of vehicles behind us, whose occupants are growing increasingly more agitated the longer they have to wait. They donât strike me as belonging to a socioeconomic class that typically has to wait for anything. The women are adorned with expensive jewelry, and the men look like they drop more on weekly haircuts than I make in a month.
A velvet rope cordons off the people waiting in line at the entrance of the Mule Kick Club. Iâve never been here, but I recognize the exterior of the club from photos in celebrity magazines. If youâre not somebody in Loganstin, youâve never made it past the ropes at the Mule Kick.
Eliza walks to the front of the line. Two very large men with shaved heads stand behind the velvet rope. They wear headgear and one clutches a clipboard. âHey, Big T,â Eliza says.
The man holding the clipboard turns to her and a smile spreads across his face. âYo, E. Whatâs shaking?â
âNothing yet, but hopefully thatâll change,â she says. âHowâs it in there?â
âItâs bumpinâ. You coming in?â
âMy bumps need to bump, and that ainât gonna happen out here,â she says.
Big T unfastens the velvet rope and holds it aside for Eliza and me to pass. âGet bumpinâ.â
This causes a chorus of grumbles from the people waiting in line, but if Eliza notices, she doesnât show it. We walk past Big T toward the door.
âWho the hell is she?â asks a man wearing a silk shirt with a dragon embroidered on it.
Big T shoots the man a glare and says, âIf you knew, youâd wet yourself.â
A doorman opens the front door, allowing Eliza and me to enter.
âShouldnât we get in line?â I ask.
âWhy would you if you donât have to?â she asks.
âTo wait our turn.â
Standing on the threshold of the club, Eliza leans in and plants a kiss on my cheek. âThatâs so cute.â She grabs my hand and walks inside.
Techno music blares at an ear-piercing level, a thumping bass that rattles your bones. Men and women gyrate in a hedonistic mass on the dance floor. The air is musty and thick, reeking of sweat, liquor, and perfume.
I follow Eliza through the crowd of people. She cuts expertly through them, heading to the back wall where VIP tables and booths are positioned so everyone can see and be seen by everyone. And a quick glance tells me that weâre being seen. A hostess sees Eliza coming and motions us toward one of the empty booths, where a Reserved sign sits. I scoot into the booth and Eliza slides in next to me.
The music is so loud that the hostess has to lean over the table to shout, âWhat would you like to drink?â
Eliza says, âA Purple Hooter.â
Both ladies glance at me and I say, âA cola.â
âA rum and cola,â Eliza adds.
The hostess spins and heads off toward the bar.
Leaning in close to my ear, Eliza asks, âWhat do you think? Pretty cool, huh?â
âDo you come hereââ
Before I can finish my thought, Eliza slides out of the booth. âIâll be right back.â
She walks toward a group of men standing around a tall table. Theyâre dressed in tattered jeans and untucked dress shirts, and theyâre smoking thick cigars. The men all take turns embracing her, apparently pleased to see her. Eliza holds court. The men surround her and laugh as she talks.
Chris Goff
Ian Mccallum
Gianrico Carofiglio
Kartik Iyengar
Maya Banks
William T. Vollmann
W. Lynn Chantale
Korey Mae Johnson
J.E. Fishman
V.K. Forrest