trees in front of it to cause real problems at night.
It was 2:57 a.m. when they hung Burakâs long black cloth like a curtain from the branches of the oak tree that forked over the cemetery hedge. It was 3:36 when they wrung out the soaked curtain and rolled it up. And in all that time only one car had come down Deep Hollow Road, and it had passed without slowing down.
The only visible evidence of their operation was that the streetlight behind the curtain had gone out at 3:17, just when Jaydon cut through the exposed electrical cable that ran to the underground power box. Fortunately, the lamppost itself was not too tall, and its classical-looking fitting was aluminum, not cast iron. Easy-peasy. By the time they had cleaned everything up and had raised their toast to science, the lamppost was no longer standing against the cemetery hedge, but was neatly planted in the middle of the sidewalk, a foot and a half to the left.
Ground Zero.
So. As you can see in the clips below, she comes straight out of the woods and walks west down Deep Hollow Road. She arrives at the square, walks along the creek, up over the sidewalk, turns a kind of three-quarter pirouette at the cemetery hedge as if sheâs the Ballet Princess or something, and stands facing the street, as if someone had pulled her plug. I mean, weâre talking serious runtime error here. A wisp of smoke rising from her hair would add to the dramatic effect. Exactly eight minutes and thirty-six seconds later, itâs as if someone had pushed Ctrl+Alt+Del, because she starts walking again and disappears behind the houses on Hilltop Drive. And she does this every week, in exactly the same way (except the stupid thing is that no one knows exactly where and how she disappearsâideas, guys?).
It all happened in a flash.
When the woman with the sewn-shut eyes walked up along the creek and passed the SLOWâCHILDREN sign, the boys on the patio forgot their boredom and became so excited that they left their seats and rocked from one leg to another. They couldnât help it. It felt as if they were witnessing one of those rare significant moments in human history that would outlive even Wikipedia, like the invention of penicillin or the first explosion of the silicone breast implant. Tyler forgot his fear of Doodletown and no longer bothered to keep his GoPro out of sight of the surveillance cam. This had to be captured.
âO-M-F-G,â Justin said, without taking a breath.
âSheâs gonna see it ⦠sheâs gonna see it ⦠sheâs gonna see it â¦â
She didnât see it. With an audible thud, the Black Rock Witch walked straight into the lamppost and fell backward on her butt.
The ladies at the fountain jumped up, all shrieks and hands covering mouths. Tyler and his friends looked at one another in silent, speechless amazement, their jaws down on the sidewalk. Burak had appeared in the restaurant doorway. It was as if the impact had sucked all the oxygen out of the air. It exceeded their wildest dreams. They had just floored a three-hundred-year-old supernatural phenomenon, and they had it on fucking video.
Gramma was squirming on the drying sidewalk at the foot of the lamppost, as you might imagine an enchilada squirming in cellophane. All the creepiness her mutilated face and reputation had bestowed on her had been knocked for a loop. Now she just looked helpless, like a baby bird fallen from its nest. There was no way sheâd be able to stand up on her own. One of the elderly women approached her, hand on cheek, and for a moment Tyler was afraid the woman had made the suicidal decision to help her up when something totally freaky happened. In a flash, the witch was back on her feet. The elderly woman recoiled with a scream. One moment Gramma had been lying there, helpless and twitching on the sidewalk; the next moment, like in a stop-motion video, she was up and chafing against the lamppost with her
Carmen Faye
Elizabeth Ann Scarborough
Heather A. Clark
Barbara Freethy
Juan Gómez-Jurado
Evelyn Glass
Christi Caldwell
Susan Hahn
Claudia Burgoa
Peter Abrahams