close.’
They both nodded. ‘Joe and I are going upstairs to watch you and count the number of times you come up for air. And one more thing, Singleton,you’re not on parade, so try to look like an English tourist …’ They turned back towards the sea … ‘that is to say miserable,’ I shouted after them.
‘Do you think you’re being a little hard on Singleton, sir?’ Joe asked. We walked up the whitewashed steps to the patio.
‘Probably,’ I said. ‘He reminds me of people who sing “There’s a hole in my bucket” to a guitar at Chelsea parties.’
We went on in silence and then Joe said, ‘You may be worrying for nothing, sir. It might be as easy and straightforward as it seems.’
I didn’t think so.
12 Sort of man
The next great green Atlantic wave sucked the wooden boat out of the surf. The old fisherman used the oars to keep it at right angles to the beach. Joe tugged the lanyard on the outboard motor. Another wave held us high in its open palm and hesitated before, dashing us back on the sand. I was high in the prow and Joe was below me in the steeply angled boat. He flung his arm out and I heard the splutter of the motor like a sewing machine. The water foamed at the stern and we headed out into the Atlantic as the screw bit the sea.
The fisherman was a walnut-faced man of eighty. He flashed his brown teeth at me as I helped him ship the oars, and scuttled over to the echo-sounder to reconnect it. From the big picnic hampers Giorgio and Singleton produced clear polythene bags, removed the folded rubber suits, and began to pull them on. We chugged westward.
The green skirt of the sea dashed its frilly petticoats at the yellow rocks. Each rock has its dangersand its name – ‘the Castle’, ‘the Pig’, and the long stretches of vertical strata called the ‘Bibliotek’. As we passed them the old man yelled the name at me and pointed at them. His finger was like a bent cigar. I repeated the name and he smiled a big yellow smile at me. The most dangerous rocks are the ones that are completely covered at high water, the huge flat stone called ‘the Tartar’ or the two finger-like monoliths called ‘the Wolves’.
I watched the echo-sounder. It clicked away, scratching arcs across the strip of paper, building a picture of the ocean bed. Giorgio was smoking one of the cheroots he favoured. The old man was smoking one too, smiling and tugging on the lobe of his ear – in a gesture of pleasure. He guided the boat by sighting the uneven top of Penha de Alte mountain to the north and the distant Cape Santa Maria to the east.
Joe was watching the scratching sounder needle and the compass. He shouted something to Giorgio, who shrugged, and Joe walked along the boat towards me as we turned through a hundred and eighty degrees.
‘We’ve missed it, I’m afraid,’ he said, ‘we are going across again. I could have put a marker buoy down yesterday, but …’
‘No, you did right,’ I told him, ‘let’s keep it discreet.’
Joe heard the sounder change note and the rusty multi-prong anchor (a great luxury in a district where most boats use a slab of concrete) splashedoverboard. The old man was on his feet holding the anchor rope as it snagged the wreck and pulled us into position over it. Giorgio adjusted his compressed-air bottles. I tapped his arm. Under the rubber suit his muscles were as hard as stone. Irregular white patches of the chalk in which the suit had been carefully packed emphasized the strange non-human garb.
‘Check that anchor line first thing when you descend.’
Giorgio listened carefully and nodded. I went on:
‘Singleton is under your personal orders: he goes down only when and if you want.’
‘The boy is good. I tell you that in truthfulness, very good,’ Giorgio said. He handed his half-smoked cheroot to the old man, who puffed delightedly at it.
He pulled his circular face-mask down, eased his feet into the gigantic rubber flippers and carefully put one
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