voice-mail machinery stresses the “I” in “ I’m sorry, but I don’t understand what you dialed,” and cyberenthusiasts, in a particularly grotesque misnomer, designate as “public forums” pieces of etched silicon with which a forum’s unshaved “participant” may communicate while sitting crosslegged in tangled sheets. The networked world as a threat to privacy? It’s the ugly spectacle of a privacy triumphant.
A genuine public space is a place where every citizen is welcome to be present and where the purely private is excluded or restricted. One reason that attendance at art museums has soared in recent years is that museums still feel public in this way. After those tangled sheets, how delicious the enforced decorum and the hush, the absence of in-your-face consumerism. How sweet the promenading, the seeing and being seen. Everybody needs a promenade sometimes—a place to go when you want to announce to the world (not the little world of friends and family but the big world, the real world) that you have a new suit, or that you’re in love, or that you suddenly realize you stand a full inch taller when you don’t hunch your shoulders.
Unfortunately, the fully public place is a nearly extinct category. We still have courtrooms and the jury pool, commuter trains and bus stations, here and there a small-town Main Street that really is a main street rather than a strip mall, certain coffee bars, and certain city sidewalks. Otherwise, for American adults, the only halfway public space is the world of work. Here, especially in the upper echelons of business, codes of dress and behavior are routinely enforced, personal disclosures are penalized, and formality is still the rule. But these rituals extend only to the employees of the firm, and even they, when they become old, disabled, obsolete, or outsourceable, are liable to be expelled and thereby relegated to the tangled sheets.
The last big, steep-walled bastion of public life in America is Washington, D.C. Hence the particular violation I felt when the Starr Report crashed in. Hence the feeling of being intruded on. It was privacy invasion, all right: private life brutally invading the most public of public spaces. I don’t want to see sex on the news from Washington. There’s sex everywhere else I look—on sitcoms, on the Web, on dust jackets, in car ads, on the billboards at Times Square. Can’t there be one thing in the national landscape that isn’t about the bedroom? We all know there’s sex in the cloakrooms of power, sex behind the pomp and circumstance, sex beneath the robes of justice; but can’t we act like grownups and pretend otherwise? Pretend not that “no one is looking” but that everyone is looking?
For two decades now, business leaders and politicians across much of the political spectrum, both Gingrich Republicans and Clinton Democrats, have extolled the virtues of privatizing public institutions. But what better word can there be for Lewinskygate and the ensuing irruption of disclosures (the infidelities of Helen Chenoweth, of Dan Burton, of Henry Hyde) than “privatization”? Anyone who wondered what a privatized presidency might look like may now, courtesy of Mr. Starr, behold one.
IN DENIS JOHNSON’S SHORT STORY “Beverly Home,” the young narrator spends his days working at a nursing home for the hopelessly disabled, where there is a particularly unfortunate patient whom no one visits:
A perpetual spasm forced him to perch sideways on his wheelchair and peer down along his nose at his knotted fingers. This condition had descended on him suddenly. He got no visitors. His wife was divorcing him. He was only thirty-three, I believe he said, but it was hard to guess what he told about himself because he really couldn’t talk anymore, beyond clamping his lips repeatedly around his protruding tongue while groaning.
No more pretending for him! He was completely and openly a mess. Meanwhile the rest of us go on trying to
A genuine public space is a place where every citizen is welcome to be present and where the purely private is excluded or restricted. One reason that attendance at art museums has soared in recent years is that museums still feel public in this way. After those tangled sheets, how delicious the enforced decorum and the hush, the absence of in-your-face consumerism. How sweet the promenading, the seeing and being seen. Everybody needs a promenade sometimes—a place to go when you want to announce to the world (not the little world of friends and family but the big world, the real world) that you have a new suit, or that you’re in love, or that you suddenly realize you stand a full inch taller when you don’t hunch your shoulders.
Unfortunately, the fully public place is a nearly extinct category. We still have courtrooms and the jury pool, commuter trains and bus stations, here and there a small-town Main Street that really is a main street rather than a strip mall, certain coffee bars, and certain city sidewalks. Otherwise, for American adults, the only halfway public space is the world of work. Here, especially in the upper echelons of business, codes of dress and behavior are routinely enforced, personal disclosures are penalized, and formality is still the rule. But these rituals extend only to the employees of the firm, and even they, when they become old, disabled, obsolete, or outsourceable, are liable to be expelled and thereby relegated to the tangled sheets.
The last big, steep-walled bastion of public life in America is Washington, D.C. Hence the particular violation I felt when the Starr Report crashed in. Hence the feeling of being intruded on. It was privacy invasion, all right: private life brutally invading the most public of public spaces. I don’t want to see sex on the news from Washington. There’s sex everywhere else I look—on sitcoms, on the Web, on dust jackets, in car ads, on the billboards at Times Square. Can’t there be one thing in the national landscape that isn’t about the bedroom? We all know there’s sex in the cloakrooms of power, sex behind the pomp and circumstance, sex beneath the robes of justice; but can’t we act like grownups and pretend otherwise? Pretend not that “no one is looking” but that everyone is looking?
For two decades now, business leaders and politicians across much of the political spectrum, both Gingrich Republicans and Clinton Democrats, have extolled the virtues of privatizing public institutions. But what better word can there be for Lewinskygate and the ensuing irruption of disclosures (the infidelities of Helen Chenoweth, of Dan Burton, of Henry Hyde) than “privatization”? Anyone who wondered what a privatized presidency might look like may now, courtesy of Mr. Starr, behold one.
IN DENIS JOHNSON’S SHORT STORY “Beverly Home,” the young narrator spends his days working at a nursing home for the hopelessly disabled, where there is a particularly unfortunate patient whom no one visits:
A perpetual spasm forced him to perch sideways on his wheelchair and peer down along his nose at his knotted fingers. This condition had descended on him suddenly. He got no visitors. His wife was divorcing him. He was only thirty-three, I believe he said, but it was hard to guess what he told about himself because he really couldn’t talk anymore, beyond clamping his lips repeatedly around his protruding tongue while groaning.
No more pretending for him! He was completely and openly a mess. Meanwhile the rest of us go on trying to
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