there was nothing so dramatic. Just the heavy, comforting presence of the Thames as it swept from Vauxhall down to the Houses of Parliament. He liked to think its colour reflected the changing seasons—or was it just his mood? Today at low tide the water was steely grey, the colour of old flint.
There was a tap at the door and his secretary stuck her head in. “Liz Carlyle is downstairs. Shall I go and collect her?”
“Please,” he said. He checked the knot of his tie and brushed his jacket lapel automatically. He cared about his appearance; his ex-wife, Adele, had accused him of vanity, but that had been just before they separated, when she’d accused him of a lot of things. It was Adele who had insisted on his buying only Hermès ties. It was she who wanted people to think he was important, and she who had taken all too literally his offhand remark, made over a second Armagnac in a Burgundy restaurant many years before and subsequently much regretted, that if all went well one day she might be Lady Fane.
Adele had never accepted that in his line of work any success had to be private—fame for someone like Fane was an infallible indicator of failure. His reward came from knowing his work was important, rather than from public recognition.
When he’d left his meeting with Pennington at the Foreign Office, he had considered carefully who to approach at MI5. If he stuck to Service etiquette, Brian Ackers should be his first port of call, but the problem there was simple: Ackers instinctively distrusted MI6, considering its officers louche individuals who at best were soft on Communism, at worst were secret sympathisers to the Islamist cause. This meant he would view Fane’s approach with distrust and reject any suggestion about how to proceed in what Fane already thought of as the “Adler Plot.” And though Fane didn’t think he could entirely control the investigation, he was damn well going to keep a strong, guiding hand on it. The last thing he wanted was MI5 running amok, pursuing Brian Ackers’ anachronistic obsessions and creating the kind of diplomatic “incident” Henry Pennington was so scared of.
If only Charles Wetherby were the director in Counter-Espionage rather than Counter-Terrorism: they had worked together well enough in the past. But it wouldn’t have mattered anyway, since Wetherby’s wife was reportedly terminally ill and he was on extended leave.
It was then he had thought of Elizabeth Carlyle, Wetherby’s talented junior, and remembered that she had been moved to Counter-Espionage after the mole affair. She had poached that young researcher, Peggy Something or Other, whom he had lent to them, but he could only muster a superficial resentment at this, since he knew that in her shoes he would have done the same.
Theirs was not an altogether happy history—there had been an episode in Norfolk Fane would sooner forget—but he determined now to enlist her in sorting out the truth of Victor Adler’s story. Whatever small resentment she might still be nursing, he was sure she could get over it. Elizabeth Carlyle had impressed him in the past with her professionalism. She was intelligent, without needing to demonstrate it, and decisive when it mattered. What’s more, she seemed tactful and discreet. Right now those were the qualities he needed most.
The door opened again and she came in, a woman in her mid-thirties, with light brown hair in a neat bob and a slim figure, which made her look taller than she was. There was a calm watchfulness about her, but her grey-green eyes were striking and alert. As always, Fane found her attractive, the more so because she didn’t make a show of it. She was dressed simply, in a blue skirt and pearl satin blouse. How unlike Adele, he thought, remembering his ex-wife’s weekly trips to that extremely expensive hairdresser in Knightsbridge, and its showy results. As well as her countless shopping expeditions to Harvey Nichols.
“Elizabeth,” he
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