Inkspell
an office. It had once been Meggie’s bedroom; she had slept there when she first came to Elinor’s house with Mo and Dustfinger, but all you could see from its window was the gravel forecourt, some spruce trees, a large chestnut, and Elinor’s gray station wagon, which stood outdoors in all weather, because it was Elinor’s opinion that cars living in luxury in a garage rusted more quickly. But when they had decided to come and live there, Meggie had wanted a window with a view of the garden. So Mo, surrounded by Elinor’s collection of old travel guides, did his paperwork in the room where Meggie had slept before she ever went to Capricorn’s village, when she still had no mother and almost never quarreled with Mo. .
    “Meggie, where are you?” Elinor’s voice sounded impatient. Her joints often ached these days, but she refused to go to the doctor. (“What’s the point?” was her only comment. “They haven’t invented a pill to cure old age, have they?”)
    “I’ll be down in a minute!” called Meggie, carefully lowering the notebooks onto Mo’s desk.
    Two of them slipped off the pile and almost knocked over the vase of autumn flowers that her mother had put by the window. Meggie caught it just before the water spilled over Mo’s invoices and receipts for gasoline. She was standing there with the vase still in her hand, her fingers sticky with drifting pollen, when she saw the figure between the trees where the path came up from the road. Her heart began to thud so hard that the vase almost slipped out of her fingers again. Well, that just went to prove it. Mo was right. “Meggie, take your head out of those books, or soon you won’t know the difference between reality and your imagination!” He’d told her that so often, and now it was happening. She’d been thinking about Dustfinger only a moment ago, hadn’t she? And now she saw someone standing out there in the night, just like the time, more than a year ago, when she’d seen Dustfinger waiting outside their house, motionless as the figure she saw there at this moment. .
    “Meggie, for heaven’s sake, how many more times do I have to call you?” Elinor was wheezing from climbing all the stairs. “What are you doing, standing there rooted to the spot? Didn’t you say – good heavens, who’s that?”
    “You can see him, too?” Meggie was so relieved she could have hugged Elinor. “Of course I can.”
    The figure moved. Barefoot, it ran over the pale gravel.
    “It’s that boy!” Elinor sounded incredulous. “The one who helped the matchstick-eater steal the book from your father. Well, he’s got nerve, turning up here. He looks somewhat worse for wear.
    Does he think I’m going to let him in? I daresay the matchstick-eater’s out there, too.”
    Elinor came closer to the window, looking anxious, but Meggie was already out the door. She ran downstairs and raced through the entrance hall. Her mother came along the corridor leading to the kitchen.
30
    “Resa!” Meggie called. “Farid’s here. It’s Farid!”
31

    Chapter 5 – Farid
     
    He was stubborn as a mule, clever as a monkey, and nimble as a hare.
    – Louis Pergaud, The War of the Buttons
    Resa took Farid into the kitchen and tended his feet first. They .looked terrible, cut and bleeding.
    While Resa cleaned them and put bandages over the cuts, Farid began telling his story, his tongue heavy with weariness. Meggie did her best not to stare at him too often. He was still rather taller than she was, even though she’d grown a great deal since they last met .. on the night when he had gone off with Dustfinger. Dustfinger and the book. She hadn’t forgotten his face, any more than she could forget the day when Mo first read him out of his own story in Tales from the Thousand and One Nights. She’d never met another boy with such beautiful eyes, almost like a girl’s. They were as black as his hair, which was cut a little shorter than it had been in the old days and made

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