Interface
stereo was turned all the way up. The tape had been running for hours, possibly even days, auto-reversing itself back and forth, playing the symphony over and over again, running the battery down until hardly anything came out of the speakers.
    Harmon was dead. He had been dead for quite some time.
    Before she did anything else she reached inside the car and pounded the garage door opener clipped to the sun visor. The big door creaked open, letting in a rush of fresh clean air and opening up a clear glittering view of the suburbanized foothills.
    It was a very sensible thing to do. Eleanor Richmond did it because she was not crazy, would not allow herself to be crazy, would not allow herself to succumb to the poison gas that her husband had used to kill himself. Her kids and her mother needed her and she could not indulge herself the way Harmon had.
    She did not want to look at Harmon or touch his body and so she went and sat on the front steps of the White House for a while, letting tears run down her face and shatter her clear view of the lights of Denver. She did not have any shoulder to rest her head on and so she scooted over to one end of the step and leaned against the white vinyl siding of the house, which gave a little under the weight of her head.
    After a while, she walked back in through the open front door and went back into the living room. She picked up her husband's crowbar from where he had thrown it away. The floor was dented beneath it; he must have hurled it down there in a rage when the door jamb had shattered. From there he had probably gone straight to the Volvo.
    Eleanor worked the point of the crowbar underneath the portion of the doorjamb that was still nailed down, and prying gently, a little at a time, moving the crowbar up and down its length, worked the jamb loose from the frame of the house. It held together okay and she knew that a little Elmer's glue would fix it right up. She would ask Doreen's boyfriend to nail it up to the wall of the trailer and then she would have Clarice and Harmon, Jr., stand against it and she would measure their height and mark their progress. They would roll their eyes and say it was stupid, but they would secretly love it.
    Every few seconds, all the way through this, she remembered, with a shock, that her husband was dead.
    She carried the doorjamb out and fed it in through the open window of Doreen's car. It still stuck out a little bit but it would be okay for the drive home. Living in Commerce City, watching Mexicans, she had learned that you could get away with letting just about anything hang out the windows of your car. She backed out of the driveway and turned around in the big circle and left White House beyond, driving aimlessly into the heart of her old neighborhood, looking for another house with lights in it, a house where they might have a working telephone.
    PART 2 The Ride
     
    5
    Marsha Wyzniewczki's relationship with her boss had never been ceremonious. When he didn't answer for the third time, she got up from her desk, worked up a good head of steam accelerating across ten feet of office floor, and threw her full hundred and ten pounds against one of the two tall, narrow, Lincolnesque doors that separated her office from the Governor's.
    A small old gray man was hunched over in the Governor's chair, in a pool of light in the dark office. Marsha had to look at him for several seconds before she was completely sure that this man was William Anthony Cozzano, the tall sturdy hero who had entered the office a few hours ago, ruddy from his afternoon jog up around Lincoln's Tomb. He had somehow been transformed into this. A wraith from the VA Hospital.
    A mother's reflex took over; she groped for the wall switch, lighting up the office. "Willy?" she said, addressing him this way for the first time ever. "Willy, are you all right?"
    "Call," he said.
    "Call whom?"
    "Goddamn it," he said, unable to remember a name. This was the first time she had ever heard

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