hour,â Jules said.
âI donât want to go to a cinema or a café or a pub, and I donât want to go home and I donât want to walk about in the park.â The men stood round her with perplexed irritated faces. They ought to understand, she thought, what home will be like with Milly waiting there, not sleeping, not taking off her clothes, hopelessly entangled with a man who is not there, who will never be there again. She wondered with a kind of vexed sensuality what it felt like to be so tied to a man. These were men, standing round her offering coffee and beer and moving pictures, and never dreaming â you could tell from the dull depressed faces â that the only thing she wanted now, this minute, this night, was the knowledge of what it felt to be so tied to a man.
Jules said: âItâs nearly 10.45, Conder, now.â
She gazed from one to the other of them, from Conder, short, shabby, with a bald head and ink-stained fingers, and nails blunt from a typewriter, to Jules with the lost look she told herself it would be easy to love.
âWonât anybody say something funny? I want to laugh.â She knew suddenly that Jules understood, that if Conder had not been there, he would have made love to her, but this knowledge irritated her and when Conder looked at his watch and said, âYes, really. I must be off,â she exerted all her charms to keep Conder, smiling and pouting, a faint evocation of a famous film actress in a small part in an early faded film. âOh, but I know you just arenât interested in me. Youâve not really got an appointment.â
âBelieve me, Miss Kay,â Conder said, âthereâs no one Iâd rather stay and talk to, and I hope that youâll let me call around at the works and take you out to lunch one day. If it wasnât so important ââ
âWhat is it anyway?â
âAh, but ladies canât keep secrets,â Conder said, bowing impressively. His personalities flickered so quickly that he was himself confused, uncertain whether he was the revolutionary, the intimate of Scotland Yard, or, a new part this, the master spy. He took off his hat and moved quickly round the corner into Charlotte Street, head a little bent, butting against the cold sweep of the wind.
âKay,â Jules said.
âLook,â she said quickly, âthereâs Mr Surrogate.â Mr Surrogate came out of the cinema alone, paler than when he entered. He had shut himself into a lavatory until he thought the place was clear, for he was unwilling to encounter Bennett. It would arouse bad feeling, he told himself, the party mustnât be split into groups; and at intervals, hearing feet prowling round the wash-basins, he had pulled the chain convincingly. His face clouded when he heard his name spoken, but it cleared again at the sight of a girl under the lamp-post. He padded deprecatingly across the pavement. It was quite like the old days of the Fabian Society. âWell, Comrade? What about a cup of coffee?â He looked at her more closely. âYou are the girl who cried.â
âJim Droverâs my brother-in-law.â
Mr Surrogate was taken aback. Drover was a sacrifice, Drover was a comrade, on Droverâs death the British Communist Party would come of age. âIâm sorry,â he said. He felt rattled and betrayed by the individuality of men.
âYou neednât for me,â she said. âItâs my sister whoâs hurt. I hoped Iâd have some news for her. I donât want to go home and say thereâs nothing going to be done.â
âThe party can do nothing,â Mr Surrogate said.
âIâm afraid of what Milly will do. Sheâs a quiet one. You donât know what sheâs thinking. But I know they were happy. They were so dull together, they couldnât be anything else but happy.â Mr Surrogate nearly called to her to stop. Pain was
edited by Todd Gregory
Fleeta Cunningham
Jana DeLeon
Susan Vaughan
James Scott Bell
Chris Bunch
Karen Ward
Gar Anthony Haywood
Scott E. Myers
Ted Gup