kitchen faucet; water rushed through the pipe in the wall next to her bed, gave off a slight aura of damp humidity. The heat released old smells trapped in the paint: hair spray and stale smoke. The microwave beeped its electronic alarm, and water pounded against the porcelain, until her ears rang and her throat dried out. Panic spread down her torso into her pelvis, snaked out through her limbs. Her fingers felt thick and numb and her mind folded back in half, into quarters, until it became tiny as an origami bird made from delicate silver paper. She thought of flesh flushed with moving blood, and then of dead flesh, blue-gray and puffy. When you had a sore throat orbumped yourself and got a bad bruise, that was what rotting would be like, but you wouldn't feel it happening because you'd be dead. And it wasn't until she said the word, put her tongue to the roof of her mouth, and forced the air up from her lungs, that she started to struggle.
The door swung open, a pillar of hall light spread against the wall, the cat jumped up and ran through his legs; then the light was gone and he flicked on the flashlight, waved it once across the room. It veined his beard orange, showed his fish-scale eyes, and made the yarns of the carpet look shiny and magical, as if you could wish on them for love or winning money. Squatting, he set the can of food on the carpet, leaned the flashlight against the wall, and moved over her, unlatched the metal hook from the cord around her wrists and the strap from her ankles. Sinking his fingers under her armpits, he yanked her up against the wall, unpeeled the tape from her mouth, and picked up the can, took the spoon—always the same tarnished silver one with the fancy filigree handle—from his shirt pocket, and dipped it into the beef stew. It was the same always, soft carrots, potatoes, translucent onions, bits of grayish meat in a room-temperature gravy.
Each spoonful was too big and he never gave enough time between them to chew. He never spoke either, just went about his duties like a good-natured but bored nurse. A lump of stew fell onto the smocking of her nightgown. He used the spoon to scrape the gravy and stringy meat up and put it back into her mouth. In the twin panes of his glasses, she saw the girl with the short black hair. She watched the shifting jaw, the mouth purse, wrinkle, then open up again like a baby bird’ s. And while she felt the chilled spoon onher lip and the food fragmenting around her teeth, still there had to be some sort of mistake.
When the can was empty he set it aside, slid one hand under her thigh and the other just below her shoulder, and carried her into the bathroom, placed her on the toilet seat. Stepping back, he waited to hear tinkles of urine or blobs of poop. She saw the tiny green dots of his big wristwatch, the glowing second hand twitching from one dot to the next like a tiny frantic bee. The textured shower stall picked up a little flashlight and sparkled like frosted glass. She made water noises, first a waterfall, then stream water over rocks, then the ‘piss piss piss’ her mother had made when she was being potty trained.
“Oh for Christ's sake,” he said, yanking her wrist and heaving her over his shoulder.
When she was scared at night her mother would come into her room and sit at the edge of her bed and say Think of something nice. She would always envision the violets that grew on the shady side of the house.
He laid her down, took the afghan from the bottom of the bed, and covered the line of light under the door. There were pink roses and arrogant red ones. She heard the tiny teeth of his zipper disconnecting one after another and then a sound like when skin hits water in a belly flop, and her elbows skidded forward, burned on the polyester mattress. Her forehead bumped the wall hard. Lilacs were beautiful, so beautiful, and she went right down into the center of that tiny flower, to the stamen, to the pistol, to where the yellow
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