Last Night in Montreal
served six months in a minimum-security prison for some complicated counterfeiting scheme that he was never inclined to explain in any great detail except to remark that obviously it hadn’t worked out very well, been employed for some time as a bartender in a hotel in Las Vegas, married Lilia’s mother, and was divorced from her by the time Lilia was three. She was, he said, an impossible woman. He wouldn’t tell Lilia what was specifically impossible about her mother, although he did show her a small scar below his left cheekbone from the time Lilia’s mother had thrown a telephone at his head. In the four years between the thrown telephone and the night he’d appeared on the lawn beneath Lilia’s bedroom window, he’d made a minor fortune on the stock market.
    In the beginning her father drove and kept driving because it was necessary to flee quickly, but it seemed to Lilia later on that eventually they probably could have stopped. Ceased their endless driving after enough time had passed, perhaps settled in some anonymous town when she was ten or eleven, somewhere far from where they had begun. Changed her name one last time, enrolled her in an elementary school with the help of a forged birth certificate, settled into a quiet, almost ordinary life. (And Lilia could almost see this other life at times, like a scene playing out on the other side of a gauze curtain, dim but glimpsable: the first quiet years of elementary school and forgetting, kissing boys in cars parked at lookout spots, a front porch with flowers planted in the backs of plastic swans, her father recast eventually as the slightly eccentric but kindly grandfather smoking his pipe on the front steps and lending his lawn mower to the neighbors, and the early upheaval so distant that she’s no longer sure it wasn’t a dream. My mother died when I was born, she tells her sympathetic future husband on a quiet night in August, believing it enough herself that it doesn’t even feel like a lie anymore, and a passing jet leaves a sunset-colored trail across the sky.)
    But they didn’t stop. He was afraid, he told her much later, that if the two of them paused too long anywhere, especially in the early days, she’d start to dwell on things: the increasing strangeness of her upbringing, the missing parts of her family, events that may or may not have transpired just before he’d taken her away. There were weeks that were mostly spent driving; singing along with her father in a car passing over an infinity of highways, making friends with waitresses in small-town cafés, conjugating Italian verbs in motel rooms from California to Vermont and then Spanish all the way back west again. Her father regretted that he couldn’t send her to school, he said, but to make up for it he wanted to teach her all the languages he knew. In the glove box they carried a battered prayer card for St. Brigid of Ireland, the patron saint of fugitives; Lilia’s father wasn’t religious but said the prayer card couldn’t hurt.
    This was a skittish, almost catastrophic life, in which nothing was certain; paradoxically, Lilia was unusually calm. Nothing could startle her. She was profoundly unafraid, although there were near disasters: when she escaped from the motel in Cincinnati, police rapping on the door of the motel room as she squeezed out the bathroom window and dropped down into the wet grass and then climbed through a dark hedge and sprinted, her frantic father waiting in the parking lot of a gas station half a block away, she was calm all the rest of that night. Her father asked if she was scared, and she said she was too old to be afraid of things. She knew something about getting older: she was almost ten and a half. And it was true that her voice was tense when she asked if the police were still close, but it was also true that she was asleep within a couple of hours. Her father that night was scattered and frantic, driving fast but trying not to speed, looking in

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