Latte Trouble by Cleo Coyle Page B

I’d met her. “I mean, look at Rena here. She boosted account sales and was fired anyway.”
    At the time, I thought nothing of Lottie’s response. But looking back now, it seemed she’d deliberately turned the conversation back to Rena to avoid revealing what had happened in her past. I realized that I’d never heard her talk about her early years or the abrupt end to her career back then. Even when asked, she’d only want to talk about the present or the future.
    That afternoon, Lottie had continued to sketch out an entire collection of possible variations on her “coffeehouse palette” theme—earrings, necklaces, bracelets, scarves, handbags. In the end, Rena never did make it to Satay and Satay to clean out her office. Instead, she helped Lottie Harmon map out a marketing strategy and come up with a catchy name for the line: Lottie Harmon’s Java Jewelry. And before that chance meeting had ended, Tad Benedict had agreed to put up a sizeable chunk of his own money to purchase raw materials and fund the crafting of prototypes based on Lottie’s designs.
    Four months later—just in time for New York’s February Fashion Week—the Lottie Harmon brand name was re-born with an entire line of coffee-bean necklaces of black and brown gemstones, latte brooches, caramel-loop bracelets and rings, coffee-klatch clutches, cocoa-brown scarves dotted with “coffee-bean” beads, and dozens of other pieces.
    The additional backing for Lottie’s launch came from the legendary clothing designer Fen, who had worked with Lottie through the seventies and early eighties and agreed to showcase her creations on his own models. The Lottie Harmon accessory line had been the buzz of that buying season with fall orders coming in from top retail: Harrods, Saks, Neiman Marcus, Printemps. The phenomenal sales transformed the moribund Lottie Harmon name into a multimillion dollar cash cow.
    Fast forward seven months to the current Fashion Week festivities. Lottie, Tad, and Rena were all now very successful and very rich. Tad became a close friend and confidante to both women, and Lottie Harmon began to treat Rena Garcia like the daughter she never had—buying the younger woman expensive gifts, and even an apartment in the East Village.
    For the current rollout, designer Fen had once again agreed to use Lottie’s jewelry designs. He would unveil his spring clothing line under the Bryant Park tents at the end of the week—which would mean a big boost for Lottie’s newest creations. Already, fashion buyers and top editors were writing about what Lottie might be “brewing up.” Everyone seemed to love the woman. She was one of the least catty and most generous people I’d met in my limited contact with the fashion world….
    So why, I asked myself, would anyone want to poison Lottie’s latte?

S EVEN
    F OUR A.M .
    I dragged myself upstairs and was greeted by Java, a little female cat with fur the color of a medium roast arabica bean and more attitude than a pop diva.
    Mrrrroooow!
    She hadn’t been given her usual late night snack, and she was not amused. “Sorry, girl,” I murmured, bending to lift her into my arms. I carried her to the kitchen, scratching under her chin in a cheap a plea for forgiveness. The slow beginnings of a purr told me she was at least willing to extend an olive branch.
    For the past five hours, I’d been toiling to restore some semblance of normalcy to the coffee bar, which was due to open in less than three hours for morning business. The Crime Scene Unit had been a hurricane, blowing through with no regard to private property. Esther and Moira had stayed overtime to help, and I’d called in Maxwell, another NYU student and part-time barista, to give us another pair of hands—but at one o’clock, I’d sent them all home and finished the rest myself.
    Together, we’d cleaned the floor and counter and hauled the marble-topped café tables back upstairs from storage. By myself, I’d restocked the