information, and Iâll give you a temporary pass to go upstairs. Tell âem you need a card wit your pitcher on it from HR.â
I must have looked at him gratefully, because he got embarrassed and shoved the book across the counter. âWell, go on now, fill âer out. And good luck today, girl. You gonna need it.â
I was too nervous and exhausted at this point to ask him to explain, and besides, I didnât really have to. About the only thing Iâd had time to do in the week between accepting the job and starting work was to learn a little bit about my new boss. I had Googled her and was surprised to find that Miranda Priestly was born Miriam Princhek, in Londonâs East End. Hers was like all the other orthodox Jewish families in the town, stunningly poor but devout. Her father occasionally worked odd jobs, but mostly they relied on the community for support since he spent most of his days studying Jewish texts. Her mother had died in childbirth with Miriam, and it was
her
mother who moved in and helped raise the children. And were there children! Eleven in all. Most of her brothers and sisters went on to work blue-collar jobs like their father, with little time to do anything but pray and work; a couple managed to get themselves into and through the university, only to marry young and begin having large families of their own. Miriam was the single exception to the family tradition.
After saving the small bills her older siblings would slip her whenever they were able, Miriam promptly dropped out of high school upon turning seventeen â a mere three months shy of graduation â to take a job as an assistant to an up-and-coming British designer, helping him put together his shows each season. After a few years of making a name for herself as one of the darlings of Londonâs burgeoning fashion world and studying French at night, she scored a job as a junior editor at the French
Chic
magazine in Paris. By this time, she had little to do with her family: they didnât understand her life or ambitions, and she was embarrassed by their old-fashioned piety and overwhelming lack of sophistication. The alienation from her family was completed shortly after joining French
Chic
when, at twenty-four years old, Miriam Princhek became Miranda Priestly, shedding her undeniably ethnic name for one with more panache. Her rough, cockney-girl British accent was soon replaced by a carefully cultivated, educated one, and by her late twenties, Miriamâs transformation from Jewish peasant to secular socialite was complete. She rose quickly, ruthlessly, through the ranks of the magazine world.
She spent ten years at the helm of French
Runway
before Elias transferred her to the number-one spot at American
Runway
, the ultimate achievement. She moved her two daughters and her rock-star then husband (himself eager to gain more exposure in America) to a penthouse apartment on Fifth Avenue at 76th Street and began a new era at
Runway
magazine: the Priestly years, the sixth of which we were nearing as I began my first day.
By some stroke of dumb luck, I would be working for nearly a month before Miranda was back in the office. She took her vacation every year starting a week before Thanksgiving until right after New Yearâs. Typically, sheâd spend a few weeks at the flat she kept in London, but this year, I was told, she had dragged her husband and daughters to Frederic Marteauâs estate in St Barthâs for two weeks before spending Christmas and New Yearâs at the Ritz in Paris. Iâd also been forewarned that even though she was technically âon vacation,â sheâd still be fully reachable and working at all times, and therefore, so should every single other person on staff. I was to be appropriately prepped and trained without her highness present. That way, Miranda wouldnât have to suffer my inevitable mistakes while I learned the job. Sounded good to me. So at
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