goes.
âYou have to be so perfect?â
His father slides out from underneath some car on the other side of the garage. â¿Tienes algún problema?â he yells over to Sam.
âNo es nada, Papi,â Sam yells back.
âDo you ever break one goddamn rule?â Iâm going. âDo you ever just do something for the fun of it?â
He gets real still.
âMy whole life is a goddamn broken rule,â he tells me, real low, real calm. Then he steps in close, like Dreadlocks Dean did that day, and his voice stays quiet, but itâs hard and mad as anything. âDo you know how fun it is to be a bastard half spic with a mother whoâd rather fingerpaint in some other country than live near you and a father who has to kiss rich white ass daily just so he can make his goddamn rent?â He backs up, glaring at me with this disgusted look, like heâs the coach and Iâm the spaz retard.
âYou always know what to say, donât you?â I tell him, sarcastic as hell. Iâd take it all. Iâd take his life any day. Iâd take his father in a second. âYou always know what to do.â I want to be him so bad it makes my blood hurt. âWith the girls, with the cars, with me. With everyone.â
He sort of blinks, and then he shakes his head, like heâs sorry for me or something. âWhatever,â he goes, and then suddenly I get scared Iâll either start bawling or else rip his face off.
âYou know what?â I tell him. âFrom now on just stay the fuck away.â And Iâm gone.
*Â Â *Â Â *
Iâm so pissed off I donât even get whatâs going on until Iâm in the apartment and the door is closed. My parents are in the foyer, and heâs mad again. Sheâs got blood on her mouth and over her eye, and her sleeve is torn. Sheâs got the keys and mail table between them, holding it up by the surface so the legs stick out to sort of protect her, but heâs twisting it out of her grip.
âGo to your room,â she tells me, the way she always does.
He yanks the table away from her and tosses it behind him. Then he grabs her and shoves her up against the wall. She throws up her hands, and I walk around them into the kitchen. I hear the punch, which doesnât sound like much in real life but turns eyes the shiny color of olives in five minutes flat, and I pick up the phone.
I dial that stupid, stupid number they make TV shows off of and try to keep my voice steady, so if they replay it on the news, I wonât sound like an idiot.
âWhat is the location of the emergency?â they go, without saying hello.
âTwo-fifty-one Baker Place,â I say. âBetween Seventh and Eighth Avenue.â
âWhatâs the nature of the emergency?â they ask.
âMy dadâs beating the shit out of my mother,â I go.
âStay on the line, please,â they tell me.
So I do.
*Â Â *Â Â *
My mother starts to cry when they cuff him. She never cries.
That goofy Gingerbread kid watches from his stoop. Heâs got his basketball tucked under one arm, and I can see his fingers tapping it, fast, like heâs typing or sending Morse code.
My father stops in front of me as they walk him to the squad car. They let him lean down to whisper in my ear. The kid stops tapping and shifts the ball to his other arm.
âDo you see what youâve done?â my dad goes, really quiet, nodding over to her. Sheâs still crying, slumped against our front door. âDo you see?â
Year Three
Grace
China
Ebony
Sam
Carl
Monique
Molly
Drew
Caitlin
Hector
Grace
MY MOTHER IS a lunatic. She has a routine for everything, and if you do anything to screw it up, she falls apart. My mom falling apart is something you donât want to see. The problem is, her routineâs always changing, so itâs next to impossible to figure out what you might be doing to screw
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