had been leaning, dashed toward the tan Ford. The stranger accelerated and sped out of the graveyard, leaving her alone in the sun until a moment later she heard a man speak behind her, “Laura?”
When she turned she could not see him at first. He called her name again, softly, and she spotted him fifteen feet away at the edge of the trees, standing in the purple shadows under an Indian laurel. He wore black slacks, a black shirt, and seemed out of place in this summer day.
Curious, perplexed, wondering if somehow this man was connected with her guardian angel, Laura started forward. She closed to within two steps of the new stranger before she realized that the disharmony between him and the bright, warm summer day was not solely a result of his black clothing; wintry darkness was an integral part of the man himself; a coldness seemed to come from within him, as if he had been born to dwell in polar regions or in the high caves of ice-bound mountains.
She stopped less than five feet from him.
He said no more but stared at her intently, with a look that seemed as much puzzlement as anything.
She saw a scar on his left cheek.
“Why you?” the wintry man asked, and he took a step forward, reaching for her.
Laura stumbled backward, suddenly too scared to cry out.
From the middle of the copse of trees, Cora Lance called, “Laura? Are you all right, Laura?”
The stranger reacted to the nearness of Cora’s voice, turned, and moved away through the laurels, his black-clad body disappearing quickly in the shadows, as if he had not been a real man at all but a bit of darkness briefly come to life.
Five days after the funeral, on Tuesday the twenty-ninth of July, Laura was back in her own room above the grocery store for the first time in a week. She was packing and saying goodbye to the place that had been home to her for as long as she could recall.
Pausing to rest, she sat on the edge of the rumpled bed, trying to remember how secure and happy she had been in that room only days ago. A hundred paperback books, mostly dog and horse stories, were shelved in one corner. Fifty miniature dogs and cats—glass, brass, porcelain, pewter—filled the shelves above the headboard of her bed.
She had no pets, for the health code prohibited animals in an apartment above a grocery. Some day she hoped to have a dog, perhaps even a horse. But more importantly she might be a veterinarian when she grew up, a healer of sick and injured animals.
Her father had said she could be anything: a vet, a lawyer, a movie star, anything. “You can be a moose herder if you want, or a ballerina on a pogo stick. Nothing can stop you.”
Laura smiled, remembering how her father had imitated a ballerina on a pogo stick. But she also remembered he was gone, and a dreadful emptiness opened in her.
She cleaned out the closet, carefully folded her clothes, and filled two large suitcases. She had a steamer trunk as well, into which she packed her favorite books, a few games, a teddy bear.
Cora and Tom Lance were taking an inventory of the contents of the rest of the small apartment and of the grocery store downstairs. Laura was going to stay with them, though she was not yet clear as to whether the arrangement was permanent or temporary.
Made nervous and fretful by thoughts of her uncertain future, Laura returned to her packing. She pulled open the drawer in the nearest of the two nightstands and froze at the sight of the elfin boots, tiny umbrella, and four-inch-long neck scarf that her father had acquired as proof that Sir Tommy Toad indeed rented quarters from them.
He had persuaded one of his friends, a skilled leatherworker, to make the boots, which were wide and shaped to accommodate webbed feet. He had obtained the umbrella from a shop that sold miniatures, and he had made the green-plaid scarf himself, laboriously fashioning fringe for the ends of it. On her ninth birthday, when she came home from school, the boots and umbrella were
Michael Jecks
Eric J. Guignard (Editor)
Alaska Angelini
Peter Dickinson
E. J. Fechenda
Cecelia Tishy
Julie E. Czerneda
Jerri Drennen
John Grisham
Lori Smith