Long Time No See
black, and black is beautiful—but Diamondback wasn’t. The blacks coming up out of those subway kiosks worked in a variety of jobs during the day, most of them menial. Many of the women cleaned house for other women, soaping fine china and polishing heavy sterling, dusting furniture bought abroad in French and English antique shops, hanging custom-designed dresses in closets where sables and minks nuzzled side by side, rinsing out crystal champagne glasses, and putting into the garbage outside the kitchen door empty magnum bottles with labels they could not pronounce. Some of the men worked in the kitchens of restaurants, washing dishes or sweeping floors, fetching or carrying while in the dining rooms out front the patrons ordered pâté de foie gras or filet mignon a la béarnaise. Some of the men were responsible for keeping the garment industry going, pushing racks of clothes from dress house to dress house in the teeming area below Kerry Cross, weaving in and out of traffic with the skill of toreadors dodging bulls. The cabs they avoided and eluded as they pushed their wheeled wardrobes were largely driven by black men like themselves, who carried wealthy passengers to luxurious apartment buildings on terraces overlooking the River Dix, where black women worked washing fine china and polishing heavy sterling, the cycle repeating itself ad infinitum.
    The building in which Sophie Harris lived was a far cry from the river-view apartments on the city’s South Side, an even farther cry from the cloistered private homes in Smoke Rise, hugging the city’s other shore. There was no doorman here; there was not even a door. Someone had removed it from its hinges, leaving only the gaping jamb, beyond which was an entrance alcove. The alcove was a five-by-eight cubicle with a row of mailboxes on its left. They found a nameplate for Sophie Harris, pressed the bell under her name, and went to the inner-lobby door, which was still there though badly scarred with names in hearts. They did not expect an answering buzz, and got none. In Diamondback, the locks on most lobby doors had been broken when there were still Indians running in the forests, and the landlords hadn’t bothered to replace them. Instead, the tenants fortified their own apartment doors with enough locks to keep out an army of thieves. A man who got to be forty and still wasn’t his own best doctor was a man who needed a doctor. And a man who lived in Diamondback for more than forty minutes without becoming an expert locksmith was a man who needed his apartment burglarized.
    The stink of piss hit them the moment they opened the inner-lobby door. Carella backed away from it as if struck in the face with a slops bucket. Meyer said, “Phhh,” and hurried toward the stairs. A radio blared from behind a door on the first-floor landing, the disc jockey’s rapid-fire spiel riding in over the rock-and-roll beat as he extolled the merits of a skin cream. On the second floor a scrawny calico cat was sitting in the hallway. She looked at the detectives warily, as though she were a burglary suspect. There were cooking smells and all the smells of living in the building, combining to render the nostrils numb. They knocked on the door to Sophie Harris’s apartment.
    A woman said, “Who is it?”
    “Detective Meyer,” Meyer said. “We spoke on the phone just a little while ago.”
    They heard the locks being undone. First the deadbolt, then the Fox lock, its heavy buttress bar thudding to the floor as she lowered it. The door opened.
    “Come in,” she said.
    As they stepped into the apartment, Carella wondered what the majority of black people in the United States of America felt when they were watching black people portrayed on television. Did they think, Golly, that’s me ? If they lived in a Diamondback apartment—where the first thing you saw upon entering was the exposed and rat-gnawed electrical wiring over the sink—did they think what they saw on television

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