joined wings and rushed together. ‘Good night Ellen.’ The streak of light of the door narrowed behind mummy, slowly narrowed to a thread up and along the top. The knob clicked; the steps went away down the hall; the front door slammed. A clock ticked somewhere in the silent room; outside the apartment, outside the house, wheels and gallumping of hoofs, trailing voices; the roar grew. It was black except for the two strings of light that made an upside down L in the corner of the door.
Ellie wanted to stretch out her feet but she was afraid to. She didnt dare take her eyes from the upside down L in the corner of the door. If she closed her eyes the light would go out. Behind the bed, out of the windowcurtains, out of the closet, from under the table shadows nudged creakily towards her. She held on tight to her ankles, pressed her chin in between her knees. The pillow bulged with shadow, rummaging shadows were slipping into the bed. If she closed her eyes the light would go out.
Black spiraling roar outside was melting through the walls making the cuddled shadows throb. Her tongue clicked against her teeth like the ticking of the clock. Her arms and legs were stiff; her neck was stiff; she was going to yell. Yell above the roaring and the rattat outside, yell to make daddy hear, daddy come home. She drew in her breath and shrieked again. Make daddy come home. The roaring shadows staggered and danced, the shadows lurched round and round. Then she was crying, her eyes were full of safe warm tears, they were running over her cheeks and into her ears. She turned over and lay crying with her face in the pillow.
*
The gaslamps tremble a while down the purplecold streets and then go out under the lurid dawn. Gus McNiel, the sleep still gumming his eyes, walks beside his wagon swinging a wire basket of milkbottles, stopping at doors, collecting the empties, climbing chilly stairs, remembering grades A and B and pints of cream and buttermilk, while the sky behind cornices, tanks, roofpeaks, chimneys becomes rosy and yellow. Hoarfrost glistens on doorsteps and curbs. The horse with dangling head lurches jerkily from door to door. There begin to be dark footprints on the frosty pavement. A heavy brewers’ dray rumbles down the street.
‘Howdy Moike, a little chilled are ye?’ shouts Gus McNiel at a cop threshing his arms on the corner of Eighth Avenue.
‘Howdy Gus. Cows still milkin’?’
It’s broad daylight when he finally slaps the reins down on the gelding’s threadbare rump and starts back to the dairy, empties bouncing and jiggling in the cart behind him. At Ninth Avenue a train shoots overhead clattering downtown behind a little green engine that emits blobs of smoke white and dense as cottonwool to melt in the raw air between the stiff blackwindowed houses. The first rays of the sun pick out the gilt lettering of DANIEL MC-GILLYCUDDY’S WINES AND LIQUORS at the corner of Tenth Avenue. Gus McNiel’s tongue is dry and the dawn has a salty taste in his mouth. A can o beer’d be the makin of a guy a cold mornin like this. He takes a turn with the reins round the whip and jumps over the wheel. His numb feet sting when they hit the pavement. Stamping to get the blood back into his toes he shoves through the swinging doors.
‘Well I’ll be damned if it aint the milkman bringin us a pint o cream for our coffee.’ Gus spits into the newly polished cuspidor beside the bar.
‘Boy, I got a thoist on me…’
‘Been drinkin too much milk again, Gus, I’ll warrant,’ roars the barkeep out of a square steak face.
The saloon smells of brasspolish and fresh sawdust. Through an open window a streak of ruddy sunlight caresses the rump of a naked lady who reclines calm as a hardboiled egg on a bed of spinach in a giltframed picture behind the bar.
‘Well Gus what’s yer pleasure a foine cold mornin loike this?’
‘I guess beer’ll do, Mac’
The foam rises in the glass, trembles up, slops over. The barkeep cuts
Ellie wanted to stretch out her feet but she was afraid to. She didnt dare take her eyes from the upside down L in the corner of the door. If she closed her eyes the light would go out. Behind the bed, out of the windowcurtains, out of the closet, from under the table shadows nudged creakily towards her. She held on tight to her ankles, pressed her chin in between her knees. The pillow bulged with shadow, rummaging shadows were slipping into the bed. If she closed her eyes the light would go out.
Black spiraling roar outside was melting through the walls making the cuddled shadows throb. Her tongue clicked against her teeth like the ticking of the clock. Her arms and legs were stiff; her neck was stiff; she was going to yell. Yell above the roaring and the rattat outside, yell to make daddy hear, daddy come home. She drew in her breath and shrieked again. Make daddy come home. The roaring shadows staggered and danced, the shadows lurched round and round. Then she was crying, her eyes were full of safe warm tears, they were running over her cheeks and into her ears. She turned over and lay crying with her face in the pillow.
*
The gaslamps tremble a while down the purplecold streets and then go out under the lurid dawn. Gus McNiel, the sleep still gumming his eyes, walks beside his wagon swinging a wire basket of milkbottles, stopping at doors, collecting the empties, climbing chilly stairs, remembering grades A and B and pints of cream and buttermilk, while the sky behind cornices, tanks, roofpeaks, chimneys becomes rosy and yellow. Hoarfrost glistens on doorsteps and curbs. The horse with dangling head lurches jerkily from door to door. There begin to be dark footprints on the frosty pavement. A heavy brewers’ dray rumbles down the street.
‘Howdy Moike, a little chilled are ye?’ shouts Gus McNiel at a cop threshing his arms on the corner of Eighth Avenue.
‘Howdy Gus. Cows still milkin’?’
It’s broad daylight when he finally slaps the reins down on the gelding’s threadbare rump and starts back to the dairy, empties bouncing and jiggling in the cart behind him. At Ninth Avenue a train shoots overhead clattering downtown behind a little green engine that emits blobs of smoke white and dense as cottonwool to melt in the raw air between the stiff blackwindowed houses. The first rays of the sun pick out the gilt lettering of DANIEL MC-GILLYCUDDY’S WINES AND LIQUORS at the corner of Tenth Avenue. Gus McNiel’s tongue is dry and the dawn has a salty taste in his mouth. A can o beer’d be the makin of a guy a cold mornin like this. He takes a turn with the reins round the whip and jumps over the wheel. His numb feet sting when they hit the pavement. Stamping to get the blood back into his toes he shoves through the swinging doors.
‘Well I’ll be damned if it aint the milkman bringin us a pint o cream for our coffee.’ Gus spits into the newly polished cuspidor beside the bar.
‘Boy, I got a thoist on me…’
‘Been drinkin too much milk again, Gus, I’ll warrant,’ roars the barkeep out of a square steak face.
The saloon smells of brasspolish and fresh sawdust. Through an open window a streak of ruddy sunlight caresses the rump of a naked lady who reclines calm as a hardboiled egg on a bed of spinach in a giltframed picture behind the bar.
‘Well Gus what’s yer pleasure a foine cold mornin loike this?’
‘I guess beer’ll do, Mac’
The foam rises in the glass, trembles up, slops over. The barkeep cuts
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