Master of the House of Darts

Master of the House of Darts by Aliette de Bodard Page B

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Authors: Aliette de Bodard
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working for foreigners. In his death-throes, he had opened up a passageway, allowing his employer to escape into the city.
    "It was supposed to be sealed up."
    "It was," Teomitl said. "But I got them to make me a key."
    The women looked away as we walked past, though not all of them. Some were smiling at Teomitl – whether because he was an attractive youth or because his uniform marked him as Master of the House of Darts, I didn't know. But Teomitl, lost in his current task, didn't even appear to notice them.
    As for me… I'd been sworn to the gods since I was old enough to walk; and the women didn't even raise the ghost of a desire in me. A goddess had once accused me of being less than human, but she'd been wrong. I saw them as people – not for what they could bring me in bed, or the status they symbolised, but merely as the other half of the duality that kept the balance of the world.
    At length, we reached another courtyard, which was entirely deserted. Teomitl breathed a sigh. "Good. I hate throwing women out of here. They always make such a fuss."
    The building at the back of the courtyard was a low, one-storey structure, an incongruity in a palace that almost always had the coveted two floors. Columns supported its roof, creating a pleasant patio for summertime, though we were barely out of winter and most trees were bare.
    In the centre was a patch of clearer adobe, clear of all frescoes: Teomitl reached out for it, and I felt more than saw the discharge of magic leap to his hand, the jadegreen glow characteristic of his goddess. The adobe lit up from within, as if exhaling radiance – and then it seemed to sink back onto itself, receding until it revealed a darker entrance. The air smelled of that peculiar sharp smell before the rain.
    "It's not the same passageway, is it?" I asked. The one I remembered all too well had torn through the neighbouring quarters: looking through it had merely revealed a succession of courtyards and quarters.
    Teomitl grimaced. "I… used an opening in the wards, to keep it simple. Come on, Acatl-tzin."
    He laid his hand on my shoulder as I entered, and a tingle went up my arm – like a mild sting by an insect, moments before it started itching.
    That feeling, too, I knew – not the exact same one, but close enough. "Your shortcut is through Tlalocan." Tlalocan, the land of the Blessed Drowned; the territory of Tlaloc and his wife Chalchiuhtlicue, Jade Skirt, Teomitl's patron goddess. A land anathema to me, the power of which ate away at my body and my magical ability.
    "Yes." Teomitl said.
    "Do you have any idea–"
    "–how dangerous it is? Please, Acatl-tzin, I don't need a lecture."
    That wasn't what I'd wanted to say. If he'd cast the spell and the Fifth World had still failed to collapse on us, then he'd got the tunnel contained. And he hadn't breached any boundaries – strictly speaking, the breach had been made by the original creator of the passageway. Sophistry, but the gods that guarded the boundaries, such as the Wind of Knives and the Curved Obsidian Blade, thrived on such rules.
    "You have a passageway into the palace," I said, following him through the tunnel. It was dark and damp, and reminded me of too many unpleasant things – I knew too well the tightening in my chest, the growing dizziness, the gradually blurring field of vision. "Do you have any idea what Tizoc-tzin would do if he found out?"
    I guessed more than saw him grin in the darkness. "Unpleasant things," he said. "My brother's paranoia hasn't improved." He sounded cold. His relations with his brother had always been as complex as mine with my own brother, but they hadn't been good for a while.
    The pressure against my chest grew worse as we went deeper – the tunnel was dark and murky, as if we were at the very bottom of Lake Texcoco, and there were things moving in the darkness, shadows that would vanish as soon as I focused on them. The air smelled of mould and mud, and greenish light played on

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