Master of the Moor

Master of the Moor by Ruth Rendell Page A

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Authors: Ruth Rendell
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photograph of Tace he saw in a newspaper review. It was a few weeks after his marriage and Stephen had been feeling unsure of himself, unsure of life itself. The discovery fortified him. When he looked at the picture of Tace he might have been looking into a mirror.
    Of course it had to be! He had always felt he couldn’t be the descendant of Naullses. The Whalby connection was bearable, for they were good honest craftsmen, respected for their skills. But to be a Naulls, formed out ofthe same genes as Uncle Stanley, mouthing platitudes in the council chamber, or weedy, weak-eyed Uncle Leonard, that was intolerable. It was also false. His mother wasn’t the daughter of Arthur Naulls but born of a summertime passion between a pretty servant and one of the greatest novelists of the twentieth century.
    Tace was married, so there was naturally no question of his marrying Helena. But he hadn’t deserted her, he had arranged a suitable marriage with his under-gardener, had given the couple the lodge to live in and had had the child named after one of his sweetest heroines, Brenda Nevil of
Wrenwood
.
    Stephen never much cared to think about sex. In the past, when his thoughts had turned to it as a young boy’s thoughts will, his body hadn’t followed his mind. All he had been able to envisage was his mother, so slight and fair, being mounted first by Dadda and then by the lorry driver. So it wasn’t the sexual aspect of Helena’s affair that interested him but its romantic side. He imagined Helena coming to some trysting place on a summer night, to the Banks of Knamber perhaps, or like Lady Irene and Alastair Thornhill, to the ghost of a road, the Reeve’s Way, as it threaded through the Vale of Allen, and Tace meeting her there in the twilight. Love children, he had read, were more beautiful, more charming and more favoured by destiny than those born in wedlock. His mother was and must still be such a one. For the loss of her he had compensated as best he could, first with the imaginary friend he called Rip, then with the moor itself, but in May he thought of her still and with a curious longing.
    It wasn’t for many weeks after coming to Chesney that Peach ventured out. His favourite places to be were the chestnut leaf table and the top of the mahogany tallboyunder the landing window on which he lay for hours, staring at the peaks and plateaux of the moor.
    He grew large and plump and round-cheeked, but he was without kittenish ways as if his sad experience had robbed him prematurely of his youth, yet when he sat on Lyn’s lap in the evenings he gave himself up to a drowsy and contented purring. His first excursion from the house took him no farther than the garden. Next time he was off and away. When two hours had passed and he hadn’t returned, Lyn imagined him finding his way back to Bale’s and by this act leading her there in search of him. She imagined herself reunited with Nick through the cat’s agency, as lovers might be in some fairy story.
    But Peach didn’t go to Bale’s or to his former home in Hilderbridge. He came back in the evening, bringing Lyn a fieldmouse. Her mother had come over to tell her Joanne had been kept in hospital with high blood pressure and threatened eclampsia. She had gone to St Ebba’s antenatal clinic and they had kept her there. When Mrs Newman saw the mouse, though it was dead, she jumped on a kitchen chair and squealed. Peach took back his gift, which he had laid at Lyn’s feet, and sat with it in his mouth, making cross twittering growls.
    Stephen wrote for ‘Voice of Vangmoor’: ‘Those who declare our moorland puts up a poor showing when it comes to wildlife, should contemplate some of the offerings of my ginger tomcat: fieldmice, a shrew and even a water vole.’ Author’s licence, he told himself, though he had hesitated over the water vole. ‘Wild flowers too are to be found in abundance. Not only is the bilberry putting forth its globular pinkish-green blooms and

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