thought.
All the fears he had managed to keep under control were threatening to break free and send him into total panic. The old fear of a new outbreak. And a new fear, of the dog-faces and Mister Monday, and even of the Key itself.
Breathe , thought Arthur. Think it through.
Why had he been given the Key…and the Atlas? Who…or what…were Mister Monday and the dog-faces? Were they really connected to this sudden outbreak of drug-resistant influenza? Was it an outbreak? Maybe only Ed and Leaf’s family was affected…
Arthur looked out the window at the dog-faces again and accidentally touched the Key and the Atlas on the desk. As he did so, he felt a sharp electric shock, and the Atlas flipped open with a bang, making him jump like a startled cat. As it had done before, the Atlas grew in size till it filled nearly all the desk space in between his rampart of books.
This time, the Atlas didn’t display a drawing of the House. Instead it rapidly sketched one of the dog-faces, though without the bowler hat, dirty shirt, and black, old-fashioned suit. This one was wearing something like a sack, but there was no mistaking the face.
Words appeared next to the picture, written by some unseen hand. The words were in a strange alphabet that Arthur didn’t recognize, let alone have a chance of reading, but as the boy watched he saw that the earlier letters were changing into the normal alphabet and the words were rearranging themselves into English, though the type was still weird and old-fashioned. Every now and then a blot of ink would appear partway through a word, to be hastily wiped away. Then words stopped appearing, and Arthur started to read what was there.
The House was built from Nothing, and its foundations rest upon Nothing. Yet as Nothing is forever and the House is but eternal, these foundations slowly sink into the Nothing from which the House was wrought, and Nothing so impinges upon the House. In the very deepest cellars, sinks, and oubliettes of the House, it is possible to draw upon Nothing and shape it with one’s thought, should such thought be strong enough. Forbidden in custom, if not in law, it is too often essayed by those who should know better, though it is not the high treason of treating with the Nithlings, those self-willed things that occasionally emerge from Nothing, with scant regard for Time or reason.
A typical shaping of Nothing is the Fetcher, as illustrated. A Fetcher is a creature of very low degree, usually fashioned for a particular purpose. Though it is contrary to the Original Law, these creatures are now often employed in menial tasks beyond the House itself, in the Secondary Realms, for they are extremely durable and are less inimical to mortal life than most creatures of Nothing (or indeed those of higher orders from within the House). However, they are constrained by certain strictures, such as an inability to cross thresholds uninvited, and may be easily dispelled by salt or numerous other petty magics.
Perhaps one in a million Fetchers may find or be granted enlightenment beyond its station, and so gain employment in the House. For the most part, when their task is done, they are returned to the primordial Nothing from whence they came.
Fetchers should never be issued with wings or weapons, and must at all times be given clear direction.
Arthur thought again of that hideous face at the window, pressed against the glass, its wings fluttering furiously behind it. Somebody had ignored the advice about not giving Fetchers wings. Arthur would not be surprised if the ones waiting outside had weapons as well, though he didn’t want to think about what kind of weapons they might be given.
Arthur tried to turn the page of the Atlas to see if there was any more information, but the page wouldn’t turn. There were lots of other pages in the book, but they might as well have all been glued into a single mass. Arthur couldn’t even get his fingernail between the leaves of
Enrico Pea
Jennifer Blake
Amelia Whitmore
Joyce Lavene, Jim Lavene
Donna Milner
Stephen King
G.A. McKevett
Marion Zimmer Bradley
Sadie Hart
Dwan Abrams