wearing a bored expression.
'Come on in, Kid,' he said and stared at the Gaucho. 'Malito says that you're his eyes and ears, observing everything from the balcony overlooking the street.'
Dorda was wounded in the neck, not seriously, but a bullet had rebounded off his pistol butt and hit the nape of his neck. He began bleeding heavily and everyone assumed he was going to die, but in a few hours the wound began to scab over and he began to look better. But he was weakened by the considerable loss of blood and the Kid had been looking after him.
'What's up?'
'Nothing. I'll let you know.'
Dorda didn't move. He stared at Kid Brignone, who stuck his pistol in his belt and also went through into the other room.
'Up you get, Gaucho,' said the Crow from the doorway. 'And keep watch over the lovenest.'
Gaucho Dorda remained alone in the room. Without shifting from his position on the sofa, he searched out the bottle of amphetamines, swallowing two of them without water. They on their side of the door were hatching plots. They didn't speak to him, they never asked him anything. The Kid was in charge of making plans. As far as the Gaucho was concerned, he and the Kid were one and the same. Twinned brothers, identical twins, belonging to the mafia fraternity, meaning (here Dorda struggled to explain himself) they understood each other without words, they acted telepathically. It even seemed to him that he felt the same way as Kid Brignone. That was why Dorda left the daily timetable to be settled by the Kid. Money and decision- taking mattered little to him. His sole interest was in drugs, 'his obscure pathological mentality' (according to the report by Dr Bunge, the prison psychiatrist), he rarely thought of anything else apart from drugs and the voices to which he paid secret attention. It was logical (again according to Dr Bunge) that the Gaucho would leave all the decisions to the Kid. 'A very interesting case of Gestalt symbiosis. There may be two of them, but they function as a single entity. The Gaucho acts as the body, solely responsible for executing the action, a psychotic killer; the Kid is the brains and does the thinking for him.'
However, he also heard voices, the Blond Gaucho. Not all the time, but from time to time, he heard voices, inside his head, between the plates of his skull. Women addressing him, issuing commands. That was his secret and Dr Bunge determined it was necessary to give him various tests and various sessions of hypnotherapy so that the themes of this intimate music might be drawn out. Dr Bunge became obsessed with this case, became struck by these voices his prisoner-patient Dorda listened to in silence. 'They tell me there's a lagoon up near Carhué, and that if you throw yourself into the water, there's so much salt in it you float, and they say that there some bastard chieftain met his death, a Ranquel indian {7} who drowned there when they tied a millstone to his neck, 'cause they said he fucked some poor gringo he'd caught and chained to a post by the ankle, that indian went and did it to him over on the indian settlement, this Coliqueo chief I'm telling you about. And they drowned him in the lake. Ever since then the poor devil appears from time to time, floating on the surface still dressed in his plumes, and the current carries him away through the marshes between the flatlands of rushes and reeds like a ghost.' Then his voice would go all lethargic and he'd repeat, the Blond Gaucho, a fragment from the Holy Bible (Matthew XVIII: 6) which a priest had read to him: 'And whomsoever should scandalize a white man, were it better for him that a millstone were hanged about his neck and that he be drowned in the depth of the lagoon at Carhué.'
Apart from the voices, he was a regular sort of guy. On occasions even Dr Bunge thought he was faking it, this Dorda, looking to escape from the law by feigning madness and avoiding a sentence. In any case, Dr Bunge wrote in his report that Dorda's
'Come on in, Kid,' he said and stared at the Gaucho. 'Malito says that you're his eyes and ears, observing everything from the balcony overlooking the street.'
Dorda was wounded in the neck, not seriously, but a bullet had rebounded off his pistol butt and hit the nape of his neck. He began bleeding heavily and everyone assumed he was going to die, but in a few hours the wound began to scab over and he began to look better. But he was weakened by the considerable loss of blood and the Kid had been looking after him.
'What's up?'
'Nothing. I'll let you know.'
Dorda didn't move. He stared at Kid Brignone, who stuck his pistol in his belt and also went through into the other room.
'Up you get, Gaucho,' said the Crow from the doorway. 'And keep watch over the lovenest.'
Gaucho Dorda remained alone in the room. Without shifting from his position on the sofa, he searched out the bottle of amphetamines, swallowing two of them without water. They on their side of the door were hatching plots. They didn't speak to him, they never asked him anything. The Kid was in charge of making plans. As far as the Gaucho was concerned, he and the Kid were one and the same. Twinned brothers, identical twins, belonging to the mafia fraternity, meaning (here Dorda struggled to explain himself) they understood each other without words, they acted telepathically. It even seemed to him that he felt the same way as Kid Brignone. That was why Dorda left the daily timetable to be settled by the Kid. Money and decision- taking mattered little to him. His sole interest was in drugs, 'his obscure pathological mentality' (according to the report by Dr Bunge, the prison psychiatrist), he rarely thought of anything else apart from drugs and the voices to which he paid secret attention. It was logical (again according to Dr Bunge) that the Gaucho would leave all the decisions to the Kid. 'A very interesting case of Gestalt symbiosis. There may be two of them, but they function as a single entity. The Gaucho acts as the body, solely responsible for executing the action, a psychotic killer; the Kid is the brains and does the thinking for him.'
However, he also heard voices, the Blond Gaucho. Not all the time, but from time to time, he heard voices, inside his head, between the plates of his skull. Women addressing him, issuing commands. That was his secret and Dr Bunge determined it was necessary to give him various tests and various sessions of hypnotherapy so that the themes of this intimate music might be drawn out. Dr Bunge became obsessed with this case, became struck by these voices his prisoner-patient Dorda listened to in silence. 'They tell me there's a lagoon up near Carhué, and that if you throw yourself into the water, there's so much salt in it you float, and they say that there some bastard chieftain met his death, a Ranquel indian {7} who drowned there when they tied a millstone to his neck, 'cause they said he fucked some poor gringo he'd caught and chained to a post by the ankle, that indian went and did it to him over on the indian settlement, this Coliqueo chief I'm telling you about. And they drowned him in the lake. Ever since then the poor devil appears from time to time, floating on the surface still dressed in his plumes, and the current carries him away through the marshes between the flatlands of rushes and reeds like a ghost.' Then his voice would go all lethargic and he'd repeat, the Blond Gaucho, a fragment from the Holy Bible (Matthew XVIII: 6) which a priest had read to him: 'And whomsoever should scandalize a white man, were it better for him that a millstone were hanged about his neck and that he be drowned in the depth of the lagoon at Carhué.'
Apart from the voices, he was a regular sort of guy. On occasions even Dr Bunge thought he was faking it, this Dorda, looking to escape from the law by feigning madness and avoiding a sentence. In any case, Dr Bunge wrote in his report that Dorda's
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