Mr. Vertigo

Mr. Vertigo by Paul Auster Page A

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Authors: Paul Auster
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sufferings I endured. He no longer had to threaten me. I followed his commands with blind obedience, never bothering to question what his purpose might have been. He told me to jump, and I jumped. He told me to stop breathing, and I stopped breathing. This was the man who had promised to make me fly, and even though I never believed him, I let him use me as if I did. We had our bargain, after all, the pact we’d made that first night in Saint Louis, and I never forgot it. If he didn’t come through for me by my thirteenth birthday, I was going to lop off his head with an axe. There was nothing personal about that arrangement—it was a simple matter of justice. If the son-of-a-bitch let me down, I was going to kill him, and he knew it as well as I did.
    While these ordeals lasted, Aesop and Mother Sioux stuck by me as if I were their flesh and blood, the darling of their hearts. There were lulls between the various stages of my development, sometimes days, sometimes weeks, and more often than not Master Yehudi would vanish, leaving the farm altogether while my wounds mended and I recovered to face the next dumbfoundingassault on my person. I had no idea where he went during those pauses, nor did I ask the others about it, since I always felt relieved when he was gone. Not only was I safe from further trials, but I was freed from the burden of the master’s presence—his brooding silences and tormented looks, the enormity of the space he occupied—and that alone reassured me, gave me a chance to breathe again. The house was a happier place without him, and the three of us lived together in remarkable harmony. Plump Mother Sioux and her two skinny boys. Those were the days when Aesop and I became pals, and miserable as much of that time was for me, it also contains some good memories, perhaps the best memories of all. He was a great one for telling stories, Aesop was, and I liked nothing better than to listen to that sweet voice of his spinning out the wild tales that were crammed in his head. He knew hundreds of them, and whenever I asked him, lying in bed all bruised and sore from my latest pummeling, he would sit there for hours reciting one story after another. Jack the Giant Killer, Sinbad the Sailor, Ulysses the Wanderer, Billy the Kid, Lancelot and King Arthur, Paul Bunyan—I heard them all. The best ones, though, the stories he saved for when I was feeling particularly blue, were about my namesake, Sir Walter Raleigh. I remember how shocked I was when he told me I had a famous name, the name of a real-life adventurer and hero. To prove that he wasn’t making it up, Aesop went to the book shelf and pulled down a thick volume with Sir Walter’s picture in it. I had never seen a more elegant face, and I soon fell into the habit of studying it for ten or fifteen minutes every day. I loved the pointy beard and razor-sharp eyes, the pearl earring fixed in his left lobe. It was the face of a pirate, a genuine swashbuckling knight, and from that day forth I carried Sir Walter inside me as a second self, an invisible brother tostand with me through thick and thin. Aesop recounted the stories of the cloak and the puddle, the search for El Dorado, the lost colony at Roanoke, the thirteen years in the Tower of London, the brave words he uttered at his beheading. He was the best poet of his day; he was a scholar, a scientist, and a freethinker; he was the number-one lover of women in all of England. “Think of you and me put together,” Aesop said, “and you begin to get an idea of who he was. A man with my brains and your guts, and tall and handsome as well—that’s Sir Walter Raleigh, the most perfect man who ever lived.”
    Every night, Mother Sioux would come into my room and tuck me in, sitting on my bed for however long it took me to fall asleep. I came to depend on this ritual, and though I was growing up fast and hard in every other way, I was still just a baby to her. I never let myself cry in front of Master

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