My Father's Notebook

My Father's Notebook by Kader Abdolah Page A

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Authors: Kader Abdolah
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to say, but I knew it was serious. I got out of bed and led your father into the courtyard, into the moonlight. What’s happening? ‘Cold,’ he gestured. ‘The bride is cold.’ I raced into the bedroom and held up the oillamp so I could see her face. She was as cold as marble, my boy. She was dead.”
    “Really?” Ishmael said in surprise. “So my mother wasn’t Father’s first wife?”
    “No.”
    “Why didn’t anyone ever tell me this?”
    “I’m telling you now, my boy. There was no point in telling you before.”
      
    Years later, Ishmael came home one night from Tehran and said to his father, “Come! I want to show you something.” He took a picture of a young woman out of his bag and handed it to Aga Akbar.
    “Who is she?” his father signed.
    “Don’t tell anyone,” Ishmael said, “but I might marry her some day.”
    Aga Akbar studied the picture. He smiled and gestured: “Very pretty. But be careful! Check her out. Listen to her lungs. Make sure they’re working all right, make sure she breathes properly. I, I can’t hear, but you can, you have good ears. Healthy lungs are important.”
    “Don’t worry. I’ve listened. She has healthy lungs.”
    “And her chest? Does she have pain in her chest?”
    “No, her chest is fine, there’s no pain.”
    “Her arms?”
    “Fine.”
    His father smiled. “Check out her stomach, too.”
    That evening was the first time Aga Akbar had ever talked to Ishmael about his first wife. He told him that the bride had had aches and pains all over. She’d had some kind of disease in her chest, in her lungs. He still didn’t know exactly what. “A woman’s breasts should feel warm, my boy, not cold. No, they should never feel cold.”

The Well
    Persians are always waiting for someone.
    In Persian songs, they sing about the Messiah,
    the one who will come and set them free.
    They wait in their poetry. They wait in their stories.
    But in this chapter, the one they wait for is in a well.

    If you face the cave, you can see Saffron Mountain’s peak to the right and a long range of brownish-yellow mountains to the left. There’s also an odd-looking spot that immediately catches your eye. Particularly if this is the first time you’ve climbed Saffron Mountain, you’ll notice it the moment you look in that direction.
    It’s almost impossible to reach this spot. If you’re standing beneath it, the sun is so bright that all you can see is a craggy rock face. Rain, snow and frost have given it a miraculous shape. “Miraculous” and “sacred” are the words you automaticallyassociate with this spot. At the bottom of this mysterious rock face is a natural well, a deep depression probably created by an erupting volcano.
    This well is of special significance to Muslims.
      
    For centuries, Shiite Muslims have been waiting for a Messiah, for the Mahdi, since he is a naji , a liberator. On this point, the Shiites differ greatly from the Sunnis. The Shiites believe that the Prophet Muhammad was followed by twelve imams. The twelfth successor—and, according to the Shiites, the last of the pure ones—was called Mahdi. To be precise, he was called Mahdi ibn Hassan Askari.
    Mahdi was the son of Hassan, and Hassan was the son of Hadi, and Hadi the son of Taqi, Taqi the son of Reza, Reza the son of Kazem, Kazem the son of Sadeq, Sadeq the son of Baqir, Baqir the son of Zayn al-’Abidin, Zayn al-’Abidin the son of Hussein, Hussein the brother of Hassan, and Hassan the son of Ali. And Ali was the son-in-law of the Prophet Muhammad.
    Fourteen centuries ago, Muhammad called his followers together after a great victory. According to tradition, Muhammad stood on a camel, lifted his son-in-law Ali by the belt and cried, “Whoever loves me, must also love Ali. Ali is my soul, my spirit and my successor.”
      
    The Sunnis think the Persians made this story up. That’s why the Persians and the Arabs are always squabbling and why there’s constant war and

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