nails on his boot heels click as he stumbles down the stairs.
PENNY LIES FOR A LONG time on the rugâeven after Patrick gets up and goes in search of a beer. Seeing Matt approaching, she rises and returns to the drum circle. Now it is reduced to its stubborn kernel, Normâs closest living associates. The older men play complex patterns softly. The older women crouch, shuffle, smile.
The sky begins to grow light. At the circleâs eccentric center, by the fire, Penny dances. Her body rocks, feet almost still, shells clacking as her hair sways. She feels entirely significant, as though she could be no one else and nowhere elseâlike nothing else matters, like a pilgrim in Jerusalem. Songbirds arc through the clearing, and sparks and ashhang in the air, discoloring her dress, burning holes. She looks at her feet. In the gray soil that bears her weight, mixed with spent embers and churned by the stomping, she can see Normâs dead face.
When the sun breaks the horizon, she breaks down, the way she imagined. She screams her premeditated grief. It is Normâs howl of desire to go home. A long roar. But it is not cathartic. Instead of going out of her, the howl goes inâa long shard of something broken, straight into her broken heart.
She stops dancing. She goes upstairs, undresses, and falls asleep in lukewarm bathwater. Amalia finds her there and puts her to bed.
THE FOLLOWING EVENING, WHEN THE guests have all left, Amalia explains her position to her child and stepchildren. âBy the laws of the State of New Jersey, your fatherâs property goes to me. I think itâs the fair way. You are young, hard workers. Iâm an old lady. Time for me to think about the future.â
Matt and Patrickâboth older than Amaliaâshift their weight on the hard padded benches that line the kitchen. âI donât think thatâs accurate,â Matt says. âThough I certainly wouldnât pressure you to sell the house right when the market is taking off. By law, you get twenty-five percent up to two hundred thousand, and fifty percent thereafter.â
âI donât begrudge you one dime,â Patrick says. âYou were there for Dad all those years. Come on! I was in New Caledonia! Iâm still there. Iâm doing fine. I can wait to inherit whatever there is to inherit, whenever .â
âBeginning with this beautiful place,â Amalia says. âWe all have free use of it, of course! But it will be nice if it stays together. I could never support seeing it cut up.â
âYou couldnât pay me enough to subdivide this property or let it leave the family,â Patrick says.
âSince Iâm unemployed and just got evicted,â Penny ventures, âmaybe I could stay here?â
âIt was the boysâ motherâs house,â Amalia says. âI canât give it to you.â
âI donât want to run off with it,â Penny says. âJust sleep here.â
âWhatâs wrong with Morristown?â Amalia asks. âYou could help me take care of the house. Mow the lawn.â
âIâm out of college. I donât want to move home. Please?â
âWhat about the house in Jersey City?â Matt says.
Patrick and Amalia look at him critically.
âWhat house?â Penny asks.
âGrandma and Grandpaâs house, where Dad grew up,â Matt says. âWe could finally unload it. Penny could stay there for a while and hold the fort.â
âI never heard of it,â Penny says.
âYou canât do that to her,â Patrick says. âItâs not habitable. The roof burned, and the basement stood full of water for twenty years. The whole place is rotten. Itâs probably condemned, or already gone.â
âThat was just Norm talking out his ass,â Matt says. âI drove past it twice in the last week. Thereâs people living there.â
âItâs an empty
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