and beyond that a red plastic swizzle stick. The swizzle stick was in front of what looked at first glance like a back door, but turned out to be a low underpass into another dark tangle of alleyways. A brass button off a military coat, a knotted shoelace, another bald tennis ball, a green-and-gold candy wrapper. These objects might have fallen out of Meg’s bagged household effects as she passed through here, or she might have dropped them on purpose. Either way, following their trail was your only shot. At the very least, if you came upon her, you could maybe wrestle the kitchen knife away from her, use it to fight your way out of here. It was a kind of scavenger hunt, chased by muffled footsteps, tumbling ashcan lids, the squawk of a startled cat being kicked.
Suddenly, picking up a pair of crimson-and-blue ice-skate shoelaces, you found yourself in a blind alley. A trap? An aluminum candy wrapper lay like a lottery ticket in front of a puckery patch of wet asphalt. There was a day-glo orange tennis ball, bright as fresh fruit, beyond the patch in front of the windowless brick wall that closed off the alley, but on your left, closer by, between two battered ashcans standing like woebegone sentries, lay a swizzle stick with a little flag on it that you remembered giving her. Mad Meg had saluted it, then picked her nose with it. You chose that over the orange ball, and as you stooped to pick it up, a red-eyed assailant in old army fatigues came charging out of a shadowy hole in the opposite wall with a switchblade. Oh shit. You braced yourself, yanking one of the ashcans in front of yourself, but when the guy stepped onto the puckery patch, that was as far as he got: his feet stuck, sank, the asphalt sucking him down, his screams smothered by the falling rain. There was a final wet sucking sound and your attacker was gone, nothing left but the switchblade and the echo of his final curse. You skirted the patch to gather up the orange tennis ball, saw the pink cloth-coat button in the mouth of the hole in the wall whence your attacker came, crouched down, picked it up, and crept through.
You were in the alleyway behind your office building. You left your collection of memorabilia in the hole along with a button ripped from your own trenchcoat and the switchblade. All right, it made Meg all the more dangerous next time she rushed you, but you owed her as much.
The office was dark. Blanche had left. There was a full-page note detailing all the incoming calls. Three had seemed promising enough to send them photographs (they were marked). She also left her panties. In case you need these, her note said. That Blanche.
You were exhausted from your ordeal in the alley and went over to lie down on the sofa, but somebody was already lying there. A dead body? No. Your client, the widow. Still veiled and primly sheathed in black, but her shoes were off. There’s something more I should tell you, Mr. Noir, she said.
AT LOUI’S, HAVING MADE IT THROUGH THE SODDEN alley dressed only in your trench and spongy gums, you explain you’re on the lam from the law and have to lay low for a time. But Loui has a problem with that, Flame, too. It turns out Blue has already been here, asking questions, making threats of arrest and worse. The place might get closed down, Loui says, and there’s a cop on the force Flame refused to play kinky games with who might be looking to get back at her.
It’s a bum rap, Loui. Somebody shot the morgue attendant with my gun while I was out cold and on ice in the crypt.
Loui, his bald pate sweating, is sympathetic, but no dice. There are others, too, the bodies are piling up. He is chewing his manicured nails and casting nervous glances over his shoulder and, much as he loves you, he wants you to move on. Flame says: The buckwheat in the suit has been here, too, asking for you. Blondie, she adds admiringly, helping you out of your soggy trenchcoat.
Yeah, the Hammer. I met him on the way.
Loui is
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