Caucasian, mid to late forties, give or take. Big eyes in a long, narrow face. Prominent nose. Dark, heavy sideburns, long hair, maybe. Couldnât tell for sure because of the cowboy hat.â I closed my eyes to picture the fleeting moment better. âUh, medium build, maybe, fairly broad shoulders. Thatâs about it.â
âGood. What was he wearing?â
âThe cowboy hat was gray, and he wore a dark shirt, blue maybe.â
âI see,â Grooms said, not looking up from a pad she was jotting notes on. âCould you identify this man if you saw him again?â
âYeah, Iâm pretty sure I could.â
âDo you think you could help our artist come up with a sketch of this man?â
âI suppose I could do that. Itâll be pretty rough.â
âBut better than nothinâ. How about the truck?â
I puffed a breath through my lips and shook my head. âLate model, dark blue pickup. Nondescriptâ¦Ford or Chevy, maybe.â
Deputy Grooms rolled her eyes at my inability to differentiate between a Ford and a Chevy but didnât comment. âDid you see the plates?â
âNope. I was worried about him being the man Iâd come to seeâthe victim, Mr. Watlametâso I really didnât focus on the truck.â
She snapped her notebook shut and said, âExcuse me,â and then walked briskly over to the squad car. I knew she was going to call in a BOLO for the truck and the man I described. There was a good chance he was still on the road.
When she came back she asked me more questions about why I happened to be visiting Sherman Watlamet. I laid out the entire story and told her that Philip Lone Deer had helped me find Watlamet. I gave her Philipâs phone number and address. She asked me who my client was. I told her that was privileged, but if she felt she needed it, I would seek my clientâs permission to give it to her. She told me to go ahead and do that.
âDo you think this killinâ hereâs connected to the disappearance of Mr. Queah in any way?â she asked when Iâd finished.
âI donât see how it could be, but you know what they say about coincidences.â
She allowed a faint smile. âRight. You gonna keep workinâ on the disappearance?â
I shrugged. âItâll depend on what my client wants to do now.â
Grooms locked onto me with those hard, gray eyes. âYou might want to consider quittinâ while youâre ahead, Mr. Claxton. But if you learn anything new, you be sure to call me.â
Later that afternoon I was sitting on a park bench in The Dalles watching Archie sniff around. I had just finished up with the sheriff departmentâs artist, a young woman who quickly and deftly captured the essence of the face of the man I saw. To be honest, I was more than a little skittish about this. The sketch was bound to get into the papers and reinforce the shooterâs notion that I was a star witness. Of course, I didnât know whether he knew who I was, and that was something I needed to talk to Philip about. Just what had he told people in his search for Watlamet? Had he used my name? I wondered. As if on cue, my phone chirped. It was Philip returning my call.
âHowâd it go with Watlamet?â
âUh, not too well.â
âWhy? What happened?â
âHeâs dead. Someone shot him with a rifle at long range just before I got there.â
âWhat? Youâre kidding.â
I went on to tell him what Iâd found and how Archie had saved me from getting my brains blown out, too. After I finished he said, âWhere are you now?â
âIâm sitting in a park in The Dalles watching Archie take a leak.â
âDonât go home. Bring the hero dog and come to my place. We can talk about this. You can go home in the morning. Iâm glad youâre okay, man.â
âMe, too.â
Chapter Ten
âHold
Natasha Trethewey
Jay Gilbertson
M. O'Keefe
Donna Lea Simpson
Jake Hinkson
Nina Rowan
Carol Umberger
Steve Chandler
Robert Hicks
Roger Pearce