his pain, he decided that the best solution was to starve himself to death. No need to petition a court in those days, citing the terminal deterioration in your “quality of life”: Atticus, being a Free Ancient, merely informed his friends and family of his intention, then refused food and waited for the end. In this, he was much confounded. Miraculously, abstinence turned out to be the best cure for his (unnamed) condition; and soon, the sick man was undeniably on the mend. There was much rejoicing and feasting; perhaps the doctors even withdrew their bills. But Atticus interrupted the merriment. Since we all must die one day, he announced, and since I have already made such fine strides in that direction, I have no desire to turn around now, only to start again another time. And so, to the admiring dismay of those around him, Atticus continued to refuse food and went to his exemplary death.
Montaigne believed that, since we cannot defeat death, the best form of counterattack is to have it constantly in mind: to think of death whenever your horse stumbles or a tile falls from a roof. You should have the taste of death in your mouth and its name on your tongue. To anticipate death in this way is to release yourself from its servitude: further, if you teach someone how to die, then you teach them how to live. Such constant death-awareness does not make Montaigne melancholy; rather, it renders him prone to fanciful dreaming, to reverie. He hopes that death, his companion, his familiar, will make its final house-call when he is in the middle of doing something ordinary—like planting his cabbages.
Montaigne tells the instructive story of a Roman Caesar approached by an ancient and decrepit soldier. The man had once served under him, and is now seeking permission to rid himself of his burdensome life. Caesar looks the fellow up and down, then asks, with the rough wit generalship seems to inspire, “What makes you think the thing you have at the moment is life?” For Montaigne, the death of youth, which often takes place unnoticed, is the harder death; what we habitually refer to as “death” is no more than the death of old age (forty or so in his time, seventy and more in ours). The leap from the attenuated survival of senescence into nonexistence is much easier than the sly transition from heedless youth to crabbed and regretful age.
But Montaigne is a compendious writer, and if this argument fails to convince, he has many others. For instance: if you have lived well, used life to the full, then you will be happy to let it go; whereas if you have misused life and found it miserable, then you will not regret its passing. (A proposition which seems to me entirely reversible: those in the first category might want their happy lives to continue indefinitely, those in the second might hope for a change of luck.) Or: if you’ve truly lived for a single day, in the fullest sense, then you’ve seen everything. (No!) Well then, if you’ve lived like that for a whole year, you’ve seen everything. (Still no.) Anyway, you should make room on earth for others, just as others have made room for you. (Yes, but I didn’t ask them to.) And why complain of being taken, when all are taken? Think of how many others will die on the same day as you. (True, and some of them will be as pissed off as I am about it.) Further, and finally, what exactly are you asking for when you complain against death? Do you want an immortality spent on this earth, given the terms and conditions currently applicable? (I see the argument, but how about a bit of immortality? Half? OK, I’ll settle for a quarter.)
Chapter 12
My brother points out that the first joke about cellular renewal was made in the 5th century bc, and involved “a chap refusing to repay a debt on the grounds that he was no longer the chap who had been lent the money.” He further points out that I have misinterpreted Montaigne’s tag line philosopher, c’est apprendre à
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