Occasion for Loving by Nadine Gordimer Page A

dress as they went slowly round, and the boys and girls swooped in and out between them like dragonflies. Jessie smiled in complicity with her mother at the married couples; and sipping the glass of wine that was given to her as a treat, she began to take on the lonely superiority that gave refuge to her parents.
    But when the three of them went to bed, a secret black sadness came from her and obscured its cause as an octopus hides his enemy from himself in a cloud of ink. She had got into bed first, to let her mother and Fuecht prepare themselves for bed in privacy. But from far away, from that place of hers far from the limping beat and happy shuffle where the dancers were, far from the unfamiliar room with daddy-long-legs on the ceiling inwhich she lay, she watched her mother and her stepfather silently crossing and recrossing each other’s paths about the room. He put down his cigar-cutter and small change and keys; she hung up her dress and pulled out a squeaking drawer. The scent of some special face-cream she used brought a personal, expensive smell into the cheapness and passing-trade poverty of human personality in the room. She was putting the cream on out of sight, but the smell of it, anywhere, was her mother to Jessie; the moment the pot was opened, she was there. Bruno Fuecht appeared in the space of light, wearing only a shirt. His legs, shortish and strikingly male, like the bowed muscular legs she had seen in Japanese prints of wrestlers, held her attention coldly and intensely. She had never seen him like this before, but that was not the reason. She had never seen
him
before—he was hidden from her behind an outward self, a label “stepfather”. She was conscious of something forbidden in the way she lay still and looked at those legs; it was the way, as a small child, she had stared secretly at the deformed. She wondered—a flicker on the limits of her conscious mind—if he were her own father, would she see him like this?
    Next morning it was raining and it rained for the rest of the time they were there. The young crowd were not seen again after Christmas dinner; they must have decided to go back to town and the possibility of more tempting amusements. The Fuechts sat it out in the hotel lounge. Outside the lake was red with mud and the road was a frothy scum of the same red mud and water. Jessie got up now and then to stare out for a minute and then came back to her book. All the people who had not packed up and gone were held in the unacknowledged bond that, for one reason or another, they could not face themselves at home. Four men played cards in a corner. Wives knitted. Near the Fuechts, a woman was sewing while the husband slept behind a newspaper and their child, a boy of roving, monkeylike attention, clambered and investigated his way round the room until he settled at the pianola. Therewas something wrong with the mechanism, and his pedalling produced “You are my sunshine” over and over, with pauses of stuttering aphasia. On and on the child played; the intensity of his mother’s concentration on her sewing began to distract Jessie more than the pianola did: she watched while the last sentence she had read hung in her mind. Suddenly she saw that the woman was sewing without any thread in the needle. It flashed in and out of the stuff, empty, connecting nothing with nothing.
    Jessie occasionally saw the mad woman about town in Johannesburg, more than twenty years later. She was unchanged, for perhaps madness had aged her prematurely when she was quite young, and her hair with its streaks of henna and grey was tied back with the same sort of narrow velvet ribbon she had worn when Jessie was seventeen.
    The weekend itself had changed its meaning for Jessie many times before it passed into that harmless state known as forgotten. Just after her young husband died, when she became aware that a large part of her life was missing, that she had been handed from mother