station or
kōban /
Every night, the same dream, the same name /
Kuro-kuro /
Hirasawa Sadamichi / Blacker and blacker / Every day, nearer and nearer / Guiltier and guiltier…
[VARIOUS PAGES DAMAGED, DEFACED, OR MISSING FOR REASONS UNKNOWN]
1948/6/6; 08.00: Humid / Shikinai-chō, Otaru, Hokkaido / Residence of Hirasawa Sadamichi’s father / The second floor of the house / Hirasawa’s father sat before the unlit stove in the first room, smoking a pipe / Hirasawa sat in a kimono in the next room, before a canvas of poppies / ‘You start painting very early…’ / ‘It is my habit to start early every day. Today is no exception.’ / Note: paint on the canvas is dry and hard / ‘Do you only paint flowers?’ / ‘I went to an exhibition at the Mitsukoshi department store in Tokyo on the day of the Teigin incident. I am not the killer.’ / ‘We didn’t say you were. We are only here to ask you about Dr Matsui’s name-card.’ / ‘I am not the man you are looking for.’ / ‘Well then, that day on the ferry, did you exchange cards with anyone else other than Dr Matsui?’ / ‘I do not remember.’ / ‘Can you tell us why you stay here, even though your wife and children live in Tokyo?’ / ‘My father could pass away soon. So this is my last obligation as a good son to his aged father.’ / Note: Hirasawa’s father is a former colonel in the Kempeitai and appears in good health / Conversation continues in circles / Hirasawa claims forgetfulness, pleads ignorance / Evasive / Ask Hirasawa for aphotograph to take back to Tokyo to show eye-witnesses for purposes of elimination / ‘I do not have any photographs.’ / Conclude interview / In the
genkan
, canvas shoulder bag hanging from a peg / Note: Teigin killer reported to have carried a canvas shoulder bag / ‘Is that your bag?’ / ‘No.’ / 09.00: Leave Hirasawa residence / Stand for a long time outside Hirasawa’s house /
Kuro-kuro /
Inspector Iki-i agrees Hirasawa’s behaviour and statements suspicious /
Blacker and blacker
/ Iki-i agrees Hirasawa strongly resembles composite drawing of Teigin suspect /
Guiltier and guiltier
.
[VARIOUS PAGES DAMAGED, DEFACED, OR MISSING FOR REASONS UNKNOWN]
1948/6/12; 18.00: Hot, rainy / Investigation of fifty-one name-cards complete / Return to Tokyo via Otaru / Hatch plan to take photograph of Hirasawa / Re-visit Hirasawa residence / Invite Hirasawa to local restaurant for dinner / Hirasawa readily accepts invitation / ‘But please remember, I am not the killer. I am not the man you are looking for.’ / Casual conversation in local restaurant / Again Hirasawa suddenly says, ‘On January 26th, I spent the morning and the early afternoon with my daughter and son-in-law in the Marunouchi district of Tokyo. There we visited the shipping firm of my nephew. His name is Yamaguchi. Then, at a little after 2 p.m., I took a train to Nippori to see my nephew’s daughter, Hanako. I also bought some charcoal briquettes. At about 5 p.m. I returned to my house in Nakano. My other daughter had invited a guest, an American GI named Wayne Ely, I think. I spent the evening speaking English and playing cards with her guest.’ / Steer conversation on to casual topics; food, weather etc. / Hirasawa repeatedly mentions his connections to the Imperial Family, his good reputation as a painter and as a man / Restaurant photographer asks if we are ready for traditional dinner-table portrait / Hirasawa reluctant / Puts on his spectacles, sticks out his chin / Portrait taken / Then, without prompting, Hirasawa suddenly says again, ‘I regret having lost Dr Matsui’s card. I enjoyed meeting him and talking with him. I would like to see him again. Unfortunately, a thief picked my pocket last August. He stole my wallet which contained ¥10,000 and all the name-cards I had received, including the card Dr Matsui gave me.’ / Meal finishes / Inspector Iki-i pays for dinner-table portrait / Bidfarewell to Hirasawa / Iki-i places portrait in
kōban /
Every night, the same dream, the same name /
Kuro-kuro /
Hirasawa Sadamichi / Blacker and blacker / Every day, nearer and nearer / Guiltier and guiltier…
[VARIOUS PAGES DAMAGED, DEFACED, OR MISSING FOR REASONS UNKNOWN]
1948/6/6; 08.00: Humid / Shikinai-chō, Otaru, Hokkaido / Residence of Hirasawa Sadamichi’s father / The second floor of the house / Hirasawa’s father sat before the unlit stove in the first room, smoking a pipe / Hirasawa sat in a kimono in the next room, before a canvas of poppies / ‘You start painting very early…’ / ‘It is my habit to start early every day. Today is no exception.’ / Note: paint on the canvas is dry and hard / ‘Do you only paint flowers?’ / ‘I went to an exhibition at the Mitsukoshi department store in Tokyo on the day of the Teigin incident. I am not the killer.’ / ‘We didn’t say you were. We are only here to ask you about Dr Matsui’s name-card.’ / ‘I am not the man you are looking for.’ / ‘Well then, that day on the ferry, did you exchange cards with anyone else other than Dr Matsui?’ / ‘I do not remember.’ / ‘Can you tell us why you stay here, even though your wife and children live in Tokyo?’ / ‘My father could pass away soon. So this is my last obligation as a good son to his aged father.’ / Note: Hirasawa’s father is a former colonel in the Kempeitai and appears in good health / Conversation continues in circles / Hirasawa claims forgetfulness, pleads ignorance / Evasive / Ask Hirasawa for aphotograph to take back to Tokyo to show eye-witnesses for purposes of elimination / ‘I do not have any photographs.’ / Conclude interview / In the
genkan
, canvas shoulder bag hanging from a peg / Note: Teigin killer reported to have carried a canvas shoulder bag / ‘Is that your bag?’ / ‘No.’ / 09.00: Leave Hirasawa residence / Stand for a long time outside Hirasawa’s house /
Kuro-kuro /
Inspector Iki-i agrees Hirasawa’s behaviour and statements suspicious /
Blacker and blacker
/ Iki-i agrees Hirasawa strongly resembles composite drawing of Teigin suspect /
Guiltier and guiltier
.
[VARIOUS PAGES DAMAGED, DEFACED, OR MISSING FOR REASONS UNKNOWN]
1948/6/12; 18.00: Hot, rainy / Investigation of fifty-one name-cards complete / Return to Tokyo via Otaru / Hatch plan to take photograph of Hirasawa / Re-visit Hirasawa residence / Invite Hirasawa to local restaurant for dinner / Hirasawa readily accepts invitation / ‘But please remember, I am not the killer. I am not the man you are looking for.’ / Casual conversation in local restaurant / Again Hirasawa suddenly says, ‘On January 26th, I spent the morning and the early afternoon with my daughter and son-in-law in the Marunouchi district of Tokyo. There we visited the shipping firm of my nephew. His name is Yamaguchi. Then, at a little after 2 p.m., I took a train to Nippori to see my nephew’s daughter, Hanako. I also bought some charcoal briquettes. At about 5 p.m. I returned to my house in Nakano. My other daughter had invited a guest, an American GI named Wayne Ely, I think. I spent the evening speaking English and playing cards with her guest.’ / Steer conversation on to casual topics; food, weather etc. / Hirasawa repeatedly mentions his connections to the Imperial Family, his good reputation as a painter and as a man / Restaurant photographer asks if we are ready for traditional dinner-table portrait / Hirasawa reluctant / Puts on his spectacles, sticks out his chin / Portrait taken / Then, without prompting, Hirasawa suddenly says again, ‘I regret having lost Dr Matsui’s card. I enjoyed meeting him and talking with him. I would like to see him again. Unfortunately, a thief picked my pocket last August. He stole my wallet which contained ¥10,000 and all the name-cards I had received, including the card Dr Matsui gave me.’ / Meal finishes / Inspector Iki-i pays for dinner-table portrait / Bidfarewell to Hirasawa / Iki-i places portrait in
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