Odd Interlude by Dean Koontz Page A

you’ll hear his footsteps on the stairs.”
    “At least there are ways of dealing with the devil,” she says, implying that there may be no way to deal with her nameless enemy.
    As I wait for her to continue and as she waits to find a route to her truth that will be safe, the darkness beyond the porch railing seems vast, seems to be washing in around us as the black sea washes to the nearby shore. Night itself is the sea of all seas, reaching to the farthest end of the universe, the moon and every planet and every star afloat in it. Here in this waiting moment, I almost feel that this house and the other six houses, the distant diner and service station—the lights of which seem like shiplights—are being lifted and turned in the night, in danger of coming loose of their moorings.
    Having found a way to approach her truth indirectly, without mentioning the devil’s name, Ardys says, “You’ve met Donny. You saw his scar. He transgressed, and that was his punishment. He thought that if he was sufficiently deceitful and quick enough, he would win our freedom with a knife. Instead, he turned it upon himself and slashed his own face.”
    I thought I must have misunderstood. “He did that to himself?”
    She holds up a hand as if to say Wait . She sets aside her coffee mug. She lays her arms on the arms of the chair, but there is nothing relaxed about her posture. “If I am too specific … if I explain why he would do such a thing to himself, then I will say what I must not say, the thing that will be heard and that will summon to us what must not be summoned.”
    My mention of the devil seems more apt by the moment, for there is in what she just said something that reminds me of the cadences of Scripture.
    “Donny might have died if his death had been wanted, but what was wanted was his suffering. Though he was bleeding profusely and in terrible pain, he remained calm. Though his speech was impeded by his cut lips, he told us to tie him down to a kitchen table and to put a folded cloth in his mouthto stifle the screams that would shortly come and to ensure that he would not bite his tongue.”
    She continues speaking in a quiet voice from which all drama and most inflection are edited, and it is this self-control, which takes such a great effort of will, that lends credence to her incredible story. Her hands have closed into tightly clenched fists.
    “His wife, Denise, who is screaming and near collapse, seems suddenly to collect herself—just as Donny at last begins to scream. She tells us what she will need to stanch the bleeding, sterilize the wound as best she can, and sew it up. You see, she must share in Donny’s punishment by being the instrument that ensures his permanent disfigurement, which a first-rate surgeon might have minimized. There will be nerve damage and numbness. And every time she looks at him for the rest of their lives, she will in part blame herself for not being able to resist … to resist being used in this fashion. We know that if we fail to assist her, any one of us might be the next to slash his own face. We assist. She closes the wound.”
    Ardys’s fists unclench, and she lowers her head. She has about her an air of exhaustion, as if analyzing her words before speaking them, with an ear for those that might summon the Presence that she fears, has drained both her physical and mental reserves.
    Less than an hour of darkness remains, yet the night seems to be rising, submerging the hills, liftingthe houses out of anchorage to set them adrift. This perception is nothing more than a reflection of my state of mind; a change in my conception of reality, of what’s possible or not, is what has actually for a moment unmoored me.
    If I understand Ardys, then the Presence that entered my dream and tried to explore the archives of my memory is more than a reader. It is in their case a controller of great power and greater cruelty, a tyrannical puppeteer. Beginning five years earlier, it