Iâll lose and never get back.â
âWhat do you know about loss?â
âIâm nine years old, I know things, believe me.â
I knew that you lose the things you possess. You lose your string, your patience, your finger bone, the time you waste, the afternoons you spend sitting in traffic, the coins you drop into a pay phone, your pencil sharpener, the buttons off your shirt, the words on the tip of your tongue.
âDavidù, look at how handsome this hand is, look at how big and strong it is. You know what keeps it on the steering wheel? Patience. Thatâs what. And if I lose my patience, you know where this hand will wind up? You understand, angel face? Wait a minute, letâs stop here for a minute, this coffee shop makes great espresso.â
He double-parked the dark blue Fiat 126, walked into the café, and stepped up to the counter.
âHey, Iâd like a nice hot espresso the way you know how to make âem, and a glass of sparkling water for my nephew.â
A trio of well-dressed gentlemen came into the bar. They were loudly discussing the killing that had taken place three hours earlier in the Sperone district: an ex-convict found dead with a third eye in his forehead. They talked about symbols: if the murdered man has his testicles in his mouth it means he started up some trouble with the wrong woman; feet encased in a block of cement and then a plunge into the sea is the fate reserved for those who pocket the mobâs money; a dead man with a fish in his mouth is someone who talked too much. They were about to explore the significance of the corpse dissolved in acid, when the tallest of the three turned to the barman and, in a jocular tone, gave his order.
â Buon giorno , could you make us three manly espressos, black, no sugar?â
Umbertino immediately swiveled his head around, staring intently at the trio of new arrivals. Once the discomfort had ripened fully, he deigned to address them.
âYou know, maybe I misunderstood, but did you just call me a woman?â
The three citizens were more surprised than baffled.
âIs something bothering you?â
âAh, so now you decide to pretend like you donât know what Iâm talking about?â
âWhat are you talking about?â
Everyone in the café stopped to watch the scene unfold. No one was good-hearted enough to meddle.
My uncle turned to confront the trio, turning his back to the barman. He spoke in a low voice, forcing everyone to turn their ears in his direction.
âSo let me get this straight. Iâm here in the café, minding my own business with my nephew, drinking an espresso in goddamned peace, when you three come in and accuse me in front of everyone of being a total woman.â
âWhat on earth?â
âNow youâre taking back what you just said a minute ago?â
The barman, the cashier, the customers, me: we were all wondering just what Umbertino was driving at. My uncle sensed that the eyes of everyone in the café were on him. Thereâs always a ring, thereâs always an audience.
The three men were uneasy. Their feet were shuffling and wouldnât stay still.
âBelieve me, nobody here would have dared to say . . .â
Umbertino rose up on tiptoes. Maybe it was an involuntary reflex, or perhaps an intentional pose to heighten the drama.
âOh, no? But when you walk into a café and order âthree manly espressos, black, no sugar,â what are you trying to say, eh?â
âBut . . .â
Umbertino luxuriated in that growing doubt, the rising anxiety, the sense of danger that was ripening.
âAh, now youâre acting as if you donât know what Iâm talking about. Then let me spell it out for you. For people like you, anyone who drinks their coffee with sugar is a total woman because you three, real macho men, youâre citizens who take your coffee bitter, look how strong you are, the flavor
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