not have been more than a foot away. It was eerie then, the thought of it eerie now.
Yet that kind of thing had been part of Little Bracken’s fascination: its warmth in summer, when doors and windows
could be left open all night, its winter coldness; its security and sometimes - only sometimes - its bleakness; its interesting nooks and crannies, built-in cupboards and bell-less belltower, places where a little boy could play hide-and-seek with an indulgent mother. Then there were the mysterious scrapes and bumps late at night, the distant yet somehow close-by sounds that would wake him from sleep, or interrupt one of Bethan’s night-time stories as he lay by her side in the broad four-poster bed they shared, noises that would cause his eyes to widen and his shoulders to stiffen. Always his mother would give a little laugh at his fear, or perhaps just smile as she cuddled him close and told him there was never, ever, anything to be afraid of, not in this place, and not with her beside him. And sometimes, when he pulled away to look at her face for extra reassurance, her soft features rendered even softer by the candlelight she always kept burning through the night on the mantelshelf opposite, he would catch a certain knowing look in her light-blue eyes, as if she was only too aware of the sound’s cause and it secretly amused her. She would explain it was probably a woodmouse rummaging around the kitchen below, or some other little creature from the forest that had found its way inside the cottage, or perhaps a bird or bat settling down in the eaves of the belltower’s roof. Even the quiet clank of pot against pan, or the shifting of something across a worktop or table below failed to alarm her, and her unshakeable confidence would soon draw him in so that he was no longer afraid. Never once, though, did he suggest they go down to investigate, and never once did his mother show any curiosity herself.
Thom resumed the climb, boards creaking noisily beneath his feet. Normally, spiral staircases in castles and fortresses twisted to the right so that soldiers defending their ground had room to swing swords or thrust pikestaffs at advancing intruders whose own sword arms were disad-vantaged, but Little Bracken’s original architect obviously had only peaceful purposes in mind when he designed the
banquet and its copycat tower, hence these stairs turned to the left. However, that non-military consideration had not prevented the boy Thom from engaging imaginary foes in battle there, his own short reach and wooden weapon unencumbered by the vagaries of architecture, the invisible villains easily beaten back by his ferocious attack.
He was smiling yet again as he quickly reached the short landing where the newel post ended and two thick horizontal rails served as a balustrade. Directly above him was the empty - save for stout crossbeams - conical-shaped space beneath the lead apex which, in truth, was never meant to house a bell. To his right on the landing was another door, this one considerably smaller than those below, which opened out on to the cottage’s roof, and Thom lifted the latch, then pushed outwards.
The breeze hit him instantly, refreshing him and clearing the mustiness (compliments of the disused cottage) from his nose. Before he had even stepped through he was dazzled not just by sunlight, but by the view itself, and he gave a small gasp of pleasure.
It was still as beautiful as he remembered; time had neither enhanced nor diminished the reality. The thousand hues of green were the same, the pale blueness of the distant, low hills was unchanged, the sheer vastness of the clear, open sky was just as impressive.
He walked out on to the flat rooftop, pausing each time to lift his left foot over the lead ridges, and approached the thick open stone balustrade that ran round seven sides of the octagonal deck, the tower wall and door taking up the eighth angle. Thom leaned forward, resting both hands on the
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