Youâre getting ahead, though.â
She gave him the full-on Iâve-about-had-it-with-your-skinny-white-ass look.
âLook, itâs your interview,â he said.
She sat back in her chair, listening.
âWhat he said, what he asked, was about my mother,â Sully said, and as he spoke, his words came more slowly, more absently, as if he were forgetting the people in the room, that he was talking to anybody at all, save himself.
âHe wanted to know, he asked, not so much about the method of how she was killed and what the scene was like, and where I was when I heard. Thatâs usually what people ask about, you know. Details. Gunshots. People running. Like the last five minutes of their lives was all that mattered. People, theyâre interested in murder. They are. Grief? No. Youwant to talk about a killing, youân do that on television. Grief, the long arc of it, you have to pay somebody to listen. Shrinks. Doctors. Counselors. He, what he asked, was about me, and what it was like living with that all these years. Growing up with it. He wanted to know how that ate at me. He wanted to know, if I had the chance, if I would kill her killer. If that would make me a bad person if I did.â
The room had gone silent, everyone staring. He looked up.
âItâs my two cents that you have to have that experience to be interested in that, those, questions. Our boyâs mom died hard.â
âYou say that,â Chin Man said, âlike you feel sorry for him.â
Sully looked at the agents. âI donât know Iâd say âfeel sorry.â Iâd say, talking to him, seeing him yesterday, heâs a sick man. Iâd say heâs been corroding for a long time, bones wasted down to rust. You want to say thatâs feeling sorry, go ahead.â
âHe hurt a lot of innocent people yesterday,â Chin Man said. âKilled several. Thatâs the only reason weâre here, the only reason anybody gives a damn about this guy.â
âThatâs the problem with victims and perps,â Sully said. âLineâs so thin. Stop the clock yesterday morning, heâs a sad story. By nightfall, heâs a monster. I donât buy he made the transition in the afternoon. Grief is a patient bastard. Itâll take its time, twist you into something you never were.â
Gill put both elbows on the table, leaning in now. âSo. The point. Did he blame Representative Edmonds for his motherâs death?â
âNot exactly. Waters, he said he had to get
the
attention and get
his
attention. My emphasis, not his.â
âDid he elaborate?â
âNo. I didnât get it either. By âhisâ I thought he meant Edmondsâs, but there wasnât a lot of time for follow-up. He was scattered, he stuttered, he kept thinking somebody was going to trace the call. The whole thing was, what, three, five minutes.â
âDid he seem in possession of his senses?â
âI would say so. Scared. But I mean, look, he had the presence of mind to pick up Edmondsâs cell phone, either from his body or from his office, and use that to call 911, right? He saw my story, in the paper or online, looked up my name, then, I guess, called the paperâs switchboard, got transferred to my line, got my cell from the message on the machine, and called me, again from Edmondsâs phone.â
Gill nodded, looking down the row of seats at their recorder.
âAnd then, then he quoted a poem?â
âUsed a line. I wouldnât say quoted. He was talking about the killingâEdmondsâand he said that after he stabbed him, Edmonds âlay there like a patient etherized upon a table.â He stopped, and then said, sort of to himself, âas the evening was spread out against the sky.â It seemed like it just occurred to him. It wasnât a grand statement. Then he went back to the killing, and how he thought he saw
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