went down to see if they were ready for the lorry.â
âThat doesnât make it gospel,â said the farmer irritably. His first action after criticizing the bearer of bad news was to disbelieve it.
âIt makes it likely,â said his wife without rancour. âBesides, Eileenâs not one to exaggerate.â
âBut who on earth ââ he opened his hands wide â âwould want to kill Joyce Cooper?â
Mrs Kershaw tidied away some of the accoutrements of her flower-arranging and said she didnât know.
âJoyce Cooper of all people!â exclaimed Herbert Kershaw.
âWho would want to kill anyone?â shuddered Mrs Kershaw. She was a stiff woman of immaculate grooming. Her flower arrangements reflected this. They tended to be formal set pieces, faultlessly executed.
âAnd why?â demanded Kershaw. âTell me that!â
But this Mrs Kershaw couldnât do either.
Her husband began to pace up and down the large farm kitchen while his wife busied herself between larder and sink.
âItâs only a cold supper tonight, Herbert, because of the Show.â
He acknowledged this with a gesture of indifference, his mind clearly elsewhere. âCedric Milsom â¦â
âWith Eileen at the Cullingoak Pony Show,â said Millicent Kershaw swiftly.
Too swiftly.
âAll the time?â queried Kershaw.
âMost of the time,â qualified Millicent Kershaw. âEileen says he was there most of the time.â
âHe doesnât usually go to Shows,â observed her husband. Cedric Milsomâs proclivities lay not with the horses but with the ladies.
âI donât think he strays too far in the afternoon,â said Millicent Kershaw. She was an unimaginative, literal-minded woman. As far as she was concerned the only reason that the Adam and Eve and Serpent scenario in the Garden of Eden had been played in daylight was the purely practical one of the difficulty of portraying temptation on canvas in darkness.
But Herbert Kershaw was thinking about something else. âThere was someone strange at the Show, Milly.â
âA stranger, you mean?â she said, putting out a salad. âThere must have been plenty of those. It was very crowded.â
âBoth a stranger and someone strange,â he said enigmatically.
âWho?â
âMaurice Esdaile. I saw him there myself.â
âWill you have cider tonight, dear?â She cast her eye over the meal. âWhoâs Maurice Esdaile?â
âMaurice Esdaile,â said her husband, âis the leading light of the firm of Mitchell Esdaile, Ltd; property developers.â
âOh, them ⦠Iâm sorry, itâs only cold chicken.â She tweaked a piece of lettuce into better shape from sheer force of habit â flower-arrangerâs habit. âWhy shouldnât he come? If theyâre going to build all those houses down by the Priory heâs entitled to come to village things, isnât he?â
âI suppose so.â Herbert Kershaw frowned heavily. âBut what on earth did Joyce Cooper want to go and get herself killed for?â
There had been another car standing beside the police car, one which Detective-Inspector Sloan recognized without difficulty.
Dr Dabbe had arrived. By the time Sloan got back to where the Fortune Tellerâs tent had been the Consultant Pathologist to the Berebury District General Hospital was staring down at the body.
âNasty,â he said to Sloan. âVery nasty.â
âYes, Doctor.â Sloan hadnât put his notebook away. Not with the name of Mellows in it.
The doctorâs assistant, Burns, was recording the temperature of the atmosphere.
âYou can cry âMurderâ all right, Sloan,â said the pathologist immediately.
Sloan nodded. Dr Dabbe never forgot that the Police Surgeon was first and foremost an arm of the law.
âAll right if I go
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