Paul Is Undead: The British Zombie Invasion

Paul Is Undead: The British Zombie Invasion by Alan Goldsher Page A

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Authors: Alan Goldsher
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recommend that you put down your instruments and do that hypnotizing thing you always talk about. Make him give you the gig. You deserve it. Shit, we deserve it.”
    John glared at me, and for a minute, I thought he was gonna tear my head off. He said, “Listen, Allan, we will never, ever, ever use fookin’ hypnosis to get a gig. I’ll take a job only if we’re hired on merit. If Parnes likes us, great, and if he doesn’t, sod him, we’ll find somebody who does.”
    I told him if that’s the way he feels, I was behind him 100 percent. I’d seen what an angry zombie could do, and even though I wanted to earn a few bob off these blokes, I didn’t want to die doing it.
    So we all went back to our proper places, then Paul counted off “Bye Bye Love,” and despite the fact that Stu flubbed note after note after note, they were spot-on; in comparison, the Everly Brothers sounded like rotting oozing fetid corpses themselves. Billy Fury clapped for a bit, until he noticed that Parnesy still wasn’t moving, at which point he folded his hands on the table and said, “That was all right, I suppose.” Billy Fury wasn’t one to cheese off the boss.
    Parnesy walked over to the bandstand and said, “Boys, boys, boys, I don’t hear it, I don’t feel it, and I don’t want it.” He pointed atJohn and said, “You can sing a little.” Then he pointed at Paul and George and said, “And you two can play a little.” Then he pointed at Stu and said, “As for you, well, I don’t know what the hell you’re doing, mate. If I were you, I’d take off those shades, cut my hair, throw that bass in the river, and apply for a job down at the local chemist.”
    Now even at that early date, there was no love lost between Paul and Stu, but seeing one of his bandmates get blasted set Paulie right off. He dropped his guitar and said, “Excuse me, Mr. Parnes? Can you repeat that?”
    Parnesy shook his head. “Not necessary. You heard what I said, mate. Loud and clear.”
    John put down his guitar, very calmly—too calmly, as far as I was concerned—strolled up to Parnes, grabbed his earlobe between his thumb and index finger, and lifted him off the ground, then said, “Paulie asked you to repeat what you said, mate. If you do, maybe I’ll let you live. Maybe.”
    Parnes was a soft cunt who probably hadn’t been in a fight of any kind since primary school, and he was pissing his pants. Literally. George pointed at the front of Parnesy’s trousers and said, “Looky, looky, Parnesy went wee-wee.” Back then, George generally kept quiet in public, and he was rarely snarky, so for him to have opened his mouth, you know he was cheesed.
    John then did something I’ll never forgive him for: he let go of Larry’s ear, dropped him on the floor, grabbed him by his wrist, picked him up, twirled him over his head—around and around and around, like he was a football hooligan waving an Arsenal banner—then he threw him across the club, right into the bar, breaking every bottle of booze in the place. That cost me about three hundred pounds, which, in 1960, was a fookload of dosh. Like I said, unforgivable. But if violence was what my boys wanted, I was all for it. Back then, I stupidly supported all their decisions. If I knew then what I know now, I might’ve tossed those cunts out right then and there.
    And then Paul, in what seemed like three steps, bounded across the room, grabbed Parnesy by the ankle, and did the same thing John had done: Arsenal banner spins, then a toss. John caught Larry, and for the next few minutes, Lennon and McCartney alternately kicked and threw Larry Parnes across the Blue Angel. I yelled at them to watch the furniture, and they were somewhat respectful. I asked them if they wanted any help, and they just laughed. Cunts.
    Parnesy screamed and screamed and screamed, and, finally, after Paul accidentally-on-purpose dropped him on his arse, Parnesy said, “Okay, okay, you’re hired, you’re hired. My boys

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