the long polished wood rail running along one mirrored wall.
âWe do, but unless you are experienced, the barre is not going to get you very warm.
âI wasnât going to give you a real ballet lesson,â Sasha continued. âI have learned some great modern dance and jazz moves from some of the American dancers here. I was going to teach you little pieces of each.â
âYou mean I wonât get to float around in pointe shoes and a tutu?â Nancy said, pretending to be disappointed.
âNo,â Sasha replied, taking Nancy seriously. âYou need years of training for that. Have you ever taken ballet?â
Nancy shook her head.
âThen we will stay away from the barre and stick with something fun. Now, breathe out,â Sasha directed. âJust like in aerobics. Donât bounce when you reach for your toes. Close your eyes and just stretch.â
When Nancy had loosened up, Sasha pulled her to her feet.
âLetâs dance.â He came up behind her, showing her how to move her arms. âThis gesture is from modern dance,â he explained. âItâs from a piece by a famous choreographer. Itâs very sensuous.â
Nancy, feeling the warmth of his muscular body behind her, had to force her mind back to listen to his directions.
âAnd this is a jazz step,â he continued. âThree steps toward me, now bend back around my armâlike this.â He pulled her smoothly down into a dip. âJazz is the best!â
âWhat about ballet?â Nancy murmured, her head against his arm. His rock-hard biceps held her up effortlessly. It felt wonderful!
âBallet doesnât have this freedom,â Sasha declared. âJazz has wonderful emotion.â He spun her around until she was wrapped in his embrace, facing him. He held her that way for a moment before releasing her. âJazz is made for a man and a woman.â
They danced in the center of the empty hall, Nancy laughing at her inexperience. âYou are wonderful,â he assured her, twirling her around. âYou have natural grace. Are you sure you have never had a lesson?â
âJust tap,â she explained, âand karate.â
âThen we should be doing floor exercises, or leaps,â Sasha said.
Nancy rolled her eyes in mock horror. âI donât think Iâm ready to roll around on the floor today,â she said. âLetâs stick to the basics.â
Sashaâs face clouded. âYou still donât trust me, do you?â
Nancy felt bad. She hadnât meant to sound that way. âOf course I trust you,â she replied, keeping her tone light. As soon as she said it, she knew it was true. She did trust Sasha. It was her own feelings she couldnât trust!
âThen here is something very basic,â Sasha said. His strong hands grasped her waist. âPut your hands on mine.â He lifted her easily, high above his head, swinging around in a circle.
âBasic ballet,â he murmured as he eased her back down, sliding her body against his.
âWell,â Nancy began, her gaze locked on his, her head whirling. âWeâll certainly be a hit at the Lobster Tank if we try this maneuver there!â
âThen we should,â he said, holding her tightly.
Nancy swallowed hard. Sashaâs face was inches from hers. âSasha, I . . .â she began.
Sashaâs eyes searched Nancyâs, a troubled look on his face. He reached out and touched his finger to her lips. âDo not tell me you will never dance with me again, Nancy.â
Nancy had a sudden urge to comfort him. She pushed it aside with difficulty. âSasha,â she said, smiling despite herself, âthanks for the lesson.â She squeezed his arm and pulled away gently. âI think thatâs enough for today.â
â¢Â â¢Â â¢
Nancy saw Sasha again in a couple of hours. Cynthia Gray had invited the young
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