never came back. He met a girl in the village and married her. The others were very cross and debated about going into the village to find him and shoot him, but they decided against it and instead went away on some bicycles they had requisitioned. My mother made shirts and underpants out of the parachutes. They lasted indefinitely, and I still occasionally wear them. That was it. That was the war. We’ve never forgotten it. It was so exciting.’
Von Igelfeld eventually bade a late and emotional farewell to his hosts and began the walk back to Montalcino. The pangs of hunger were a dim memory of the past; he would need to eat nothing that evening – that would show Signora Cossi! He entered the hotel, and hung his hat on one of the hat pegs. He was late, and dinner had already started. Then he remembered. Prinzel and Unterholzer had already arrived – he had totally forgotten about them – and there they were, at the table, tucking into the largest helpings of pasta which von Igelfeld had ever seen.
Von Igelfeld’s heart sank. Look at them eat! It was enough to confirm Signora Cossi’s views one hundred times over. And indeed it did, for as von Igelfeld stared in dismay at his companions, Signora Cossi swept out of the kitchen carrying two large plates, piled high with lamb cutlets.
‘For your friends!’ she said triumphantly, as she passed her speechless guest.
Prinzel and Unterholzer could not understand von Igelfeld’s bad mood. Nor did they understand his expression of dismay when, after they had settled their bills, a smirking Signora Cossi handed von Igelfeld a small package.
‘I saw you throw these away,’ she said, giving him his laces. ‘You must surely have done so by mistake.’
Her expression was one of utter, unassailable triumph, and von Igelfeld was to remember it well after he had forgotten his walks through that timeless landscape, that marvellous meal under the farmer’s oak tree, and the vision, so generously shared, of angels.
PORTUGUESE IRREGULAR VERBS
THEY TOOK UP RESIDENCE IN REGENSBURG one by one – von Igelfeld first, then Unterholzer and finally Prinzel. Prinzel’s new wife, Ophelia, had been reluctant to leave Wiesbaden, where she acted as secretary to her father in the Wiesbaden Project on Puccini. This project, which had been running for fourteen years, was set to run for at least a further decade, or more, and absorbed almost all the energies of both herself and her father. A move was quite out of the question.
At the time when Unterholzer moved to Regensburg, von Igelfeld was himself involved in his own difficulties over publication. Studia Litteraria Verlag, the publishers of his renowned and monumental work Portuguese Irregular Verbs , had written to him informing him that they had managed to sell only two hundred copies of the book. There was no doubt about the book’s status: it was to be found in all the relevant libraries of Europe and North America, and was established as a classic in its field; but the problem was that the field was extremely small. Indeed, almost the entire field met every year at the annual conference and fitted comfortably into one small conference hall, usually with twenty or thirty seats left over.
The publishers pointed out that although two hundred copies had been sold, there still remained seven hundred and thirty-seven in a warehouse in Frankfurt. Over the previous two years, only six copies had been sold, and it occurred to them that at this rate they could expect to have to store the stock until well into the twenty-second century. Von Igelfeld personally saw nothing unacceptable about this, and was outraged when he read the proposal of Studia Litteraria’s manager.
‘We have received an offer from a firm of interior decorators,’ he read. ‘They decorate the apartments of wealthy people in a style which indicates good taste and education. They are keen to purchase our entire stock of Portuguese Irregular Verbs , which, as you
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