PROLOGUE

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violence.
    She examined a second garment of undyed wool, bloodier even than the lion cloth, that lay crumpled to one side. Beneath it lay a leather belt incised with smaller lions, fastened by a bronze buckle also fashioned in the image of a lion's snarling face. Foot coverings cunningly molded out of soft leather lay in a heap with lengths of cloth and strips of leather that were, she realized, fine leggings.
    Where had his people learned such craft? Why had they not joined the alliance of humankind against the Cursed Ones?
    Beneath the clothing lay a garment woven of tiny metal rings, pale in color, yet not silver, or tin, or bronze, or copper. It was heavy. The rings sang in a thousand voices as she lifted them. They had a hard and unforgiving smell. Like the lion coat, the garment had holes that would accommodate a head and arms, and it was long enough to fall to the knees. Perhaps it was not metal at all, but a magical spell of protection made physical, curled and dense, to protect the body. Her shoulders ached from the strain of holding it as she set it down and picked up the knife that lay hidden underneath.
    Not stone, not copper, not bronze: the metallic substance of this knife had none of the implacable fire of the bronze sword she had taken from the corpse of the Cursed One. It was blind, with a heartless soul as cold as the winter snows, as ruthless as the great serpents who writhed in the depths of the sea and swallowed whole the curraghs in which the fisherfolk plied their trade: having hunger, it feasted, and then settled back in quiet satiation to wait until it hungered again.
    Magic was the blood of these garments. Was it any surprise that blood stained them all?
    She looked back at him, hoping, even fearing, to find an answer in his expression. But in the way of any young woman who has gone too long without pleasure, she only noticed his body.
    He was quite obviously not a child, to run naked in the summer.” Wait here," she said, making gestures to show him that she meant to go and return.
    As she rose, her string skirt slid revealingly around her thighs, and he blushed, everywhere, easy to see on his fair skin. She looked away quickly, to hide her hope. Did he find her attractive? Had the Holy One truly brought her a mate? She gathered up her regalia and hurried away to her shelter, storing antlers and waistband in the chest and returning to him with the linen shirt draped over her arms.
    He still sat cross-legged but with his head bowed and resting on his cupped hands. Hearing her, he lifted his head. Tears ran down his face. Truly, then, he wasn't actually dead, because the dead could not weep.
    She set the garment on the ground in front of him and took a few steps away, turning her back so that if he had any secret rituals he had to perform, crossing the threshold of nakedness into civilization, she would not disturb him. There was silence, except for the wind and the rustle and scrape of his movements. Then he coughed, clearing his throat, and she turned around.
    The tunic draped loosely over his chest, falling to just above his knees. Amazingly, he stood as tall as Beor. The southern tribes, and the Cursed Ones, commonly stood shorter than the people of the Deer clans. Only the Horse people, with their bodies made half of human form and half of horse, stood taller.
    Through a complicated and awkward ritual of gesturing, he indicated himself and spoke a word. She tried it one way on her tongue and then another, and he laughed suddenly, very sweetly, and she looked into his eyes and smiled at him, but she was first to look away. Fire flared in her cheeks; her heart burned in her. He was not precisely handsome. He looked very different than the men she knew. His features were rather narrowed, his forehead a
    little flatter, his cheek was marked with the blemish, and his hair was almost as dark as that of the Cursed Ones, but as fine as spun flax.
    He spoke his name again, more slowly, and one of the big

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