River of Death

River of Death by Alistair MacLean Page A

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Authors: Alistair MacLean
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unquestionably is there's just no point in being dishonest. After all, what's the point in it if you can make more money being honest? Today he knows everybody's business and lets anyone who wishes know all about his businesses.'

'He's got something to hide,' Hamilton said. 'I know he has.'

Navarro said: 'What?'

'That's what we're going to find out, isn't it?' Hamilton said.

'I wish you wouldn't play your cards so close to your chest,' Navarro said.

'What cards?'

'We look forward to watching you at work, Mr Hamilton,' Ramon said. His tone was neutral to the point of being ambiguous. 'It should be worth watching. By every account, the man is totally above suspicion. He goes everywhere, sees everyone, knows everyone. And everyone knows that he and the President are blood brothers.'

The President's blood brother was leaning forward in a chair in his splendid drawing-room, oblivious of the company around him, staring in fascination at the silver screen. The room had been so efficiently darkened by the heavy drapes that he would have had difficulty in seeing those around him: had it been broad daylight, he still wouldn't have seen them. His absorption was total.

The transparencies were of superb quality, taken with a superb camera by an expert photographer who knew precisely what he was about. The colour was true, the clarity and the resolution impeccable. And the projector the best that Smith's money could buy.

The first group showed a ruined and ancient city, impossibly clinging to the top of a narrow plateau with, at the far end, a breathtakingly well-preserved ziggurat, as imposing as the best surviving works of the Aztecs or the Maya.

A second group showed one side of the city, perched on the edge of a cliff that dropped vertically to a river and the rain forest beyond. The third group showed the other side of the city overlooking a similar gorge with a river sliding swiftly past in the distant depths. A fourth group, clearly taken from the top of the hills, showed a reverse view of the ancient city, with a brief glimpse of scrub-land beyond — once obviously terraced for cultivation - and with the two cliff-sides meeting in the middle distance. A fifth group, obviously taken 180° from the same position, showed a flat, grassy plateau, the sides curving to meet like the bows of a boat. Nearly incredible as those pictures were, the next few groups were staggering.

They were taken from the air and as transparency succeeded transparency, it became evident that they, like a number of the previous ones, could only have been taken from a helicopter.

The first of those helicopter shots showed the entire ruined city from above. The second, from perhaps five hundred feet higher up, showed that the city was perched on top of a vertically-sided, boat-shaped pinnacle of rock splitting a river which swept by on either side of it. Both arms of the river were rock-strewn, foaming white and clearly unnavigable. The third and fourth groups, from an even higher altitude, were a shock: taken horizontally they showed pictures of a densely crowded rain-forest, reaching out, it seemed, almost to touch the camera and extending, unbroken, to the distant horizon. The fifth set, vertically downwards, made it clear that the great outer cliff-walls of the twin gorges were at least several hundred feet higher than the top of the cliff-walls that formed the island on which the Lost City was built. The sixth group, taken at a still higher elevation, showed just a narrow gap between two great stretches of forest reaching towards each other, with the Lost City just vaguely visible in the gloomy depths below. The seventh and last group, taken anywhere between five hundred and a thousand feet higher up again, revealed nothing but the continuous majestic sweep of the Amazonian rain-forest, unbroken from pictorial horizon to pictorial horizon.

It was small wonder, then, that the planes of the Brazilian ordnance survey services, whose pilots claimed,

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