good, itâs automatically by Fletcher.â
âTheyâre probably right.â
âNot with this Mozart. Itâs real. But forget Mozart. You want to see something thatâll frighten you.â
I actually had not, and yet the way he put it made me suddenly eager. I agreedâI wanted to see something that would frighten me.
He tugged a pair of rubber gloves from his pocket and snapped them on, an aura of talcum around his hands for an instant. He unlocked a drawer, and tugged out a black, snaking harness. âUsed to keep a witch quiet. Called a brank. Fits over the head. She sits with this probe in her mouth and canât talk while the judge passes sentence on her. So she wonât put a curse on the judge.â
âFascinating,â I said.
âBut what?â
He had read my thoughts. âBut itâs not scary,â I said.
âYou expect me to start with the best first? No, itâs not scary. Except in a way. All those witches were just innocent women tortured into confessing. That scares meâreal torture.â
Another drawer opened. He held up a gnarled, ebony knot. âThe hand of Saint Catherine. Authenticated last week. The other hand is in a church in Ely, in England. Itâs authentic that itâs her real hand, not that she deserves to be a saint or is in heaven or anything like that.â
I was already disappointed. He could tell. He offered me a shrunken head. âTwentieth century. One of the last ones made. I hope. A white man.â It looked dark, with blond hair like a girlâs doll. Its eyelashes were thick and yet delicate, too, its lips sewn together in a meditative pout. Its skin was thick, like the skin of a well-broken boot.
âNot impressed. Youâre a hard man.â
I had to smile. âMaybe arcana just isnât arcane enough for me. As a boy I would have been awe-struck.â
He shrugged. âI guess so. I donât know. I hate the stuff. Pathetic and creepy. Iâm going to sell it off and stick to art and music and things of beauty. But here,â he said, handing me a typed catalog. âSee if thereâs anything else you wanted to see. I donât have the head of Zapata or anything like that. But if you see anything you might likeââ
There were no prices on this list that he kept for his own reference, but I understood that he would be willing to sell me anything that might interest me. I ran my eyes down a list of antique Tarot decks and alchemistâs alembics. Arcane was a good word for the assortment of preserved snakes and infant sharks from the brujos of Mexico, and the first edition of James the Firstâs treatise on witchcraft. All of it curious but somehow not exactly arresting.
Until I saw a single word, with no date or country of origin. A naked word: fangs.
There was a splash of light, somewhere deep within me. A forest, a path. Moonlight glittering.
âWhatâs this?â I asked, unable to guess why I had trouble speaking for a moment.
âYou tell me. I have no idea what it is or where it came from. You want to see it?â
âYes, please.â
âYou sure?â
Why, I wondered, the hesitation? âPlease.â
He shrugged. âIt came with a trunk of silver goods boxes an agent bought for me in Zurich. It was supposedly a part of an estate. Iâm still trying to find out whose estate it was, how many different deceased people it may have belonged to, because the trunk was full of a good many items of interest, salt cellars, sugar tongs, charming things like that. And then, to my surprise, this. An object that hardly fits the rest of the bourgeois knick-knacks.â
His rubber-gloved hands had taken a small black box from a steel-faced drawer. He offered the box to me, and I took it. My hands, though, were reluctant to open it. I studied the box, its brass hinges turned slightly green, its surface highly polished. The box was surprisingly
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