and complete but not content—cleverly striving for the suggestion of perfection. Somehow, I know that if I twist, if I move in another infinite direction, the fabric will fold in around me and I’ll arrive somewhere else.
Before I realize it, I’m in the stratosphere, climbing higher and higher. The blue sky fades in the absence of air and is replaced by the darkness of space. A gleaming white mass grows larger as I approach it, becoming discernible as a space station. Shaped like a capital I , the station tumbles end over end in its orbit of Inium, the smallest of Ethar’s moons. This moon is a favorite of mine; it glows blue and it’s so near to Ethar that I imagine it has heard all the wishes I’ve made on it.
I pass through the side of the space station either because it doesn’t exist in this space yet or I don’t or both. Thinking about it is likely to fry my brain. Instead, I concentrate on a silver transport trift landing in the open bay of the capital-I station. When the enormous bay doors close with a heavy thump, sealing the area like a tomb, the doors of the elegant falconlike trift open just below the wing. Free-floating steps emerge from the craft to form a convenient walkway to the causeway.
I’m surprised when three females alight from the trift, pausing on the gangway. They’re each taller than me by just a few inches, with longer white-blond hair than mine and varying shades of blue eyes, but otherwise, in form and in feature, their likeness to me is undeniable.
A very masculine-looking blond male appears behind them. He’s a golden god of a man—heaven-faced, cut from stone, and maybe just as lovable. He leans near to one of them, saying something to her in a low tone before he nuzzles her cheek. She doesn’t turn her lips to his or respond to his affection. She’s cold and distant. Her demeanor bothers him; he frowns at her, but takes her arm solicitously and leads her ahead, helping her navigate the steps.
She reminds me of a queen bee. Her pale blond hair is piled high on her head with a mass of intricate braids down her back. Her elaborate dress has to weigh a ton. It’s not the least bit practical, with a flowing train of rich brocade silk and a corsetlike rib breaker. The neckline plunges in a deep vee, lined with sharp points that could be the stingers of drones she’s killed. The dress has to hurt like hell, but she carries it as if it were her skin.
As I watch the pair together, I wonder, Is that her Brotherhood consort? Her cult-master who simultaneously owns and worships her? She seems so very important to him: owned by the drones and unable to fly away without them following her—forever. I can’t imagine a worse fate than to be a queen-slave.
The other two priestesses follow closely behind her arm in arm. They each have similar style dresses as the Bee, but only one has an exaggerated collar of stiff, swanlike feathers: the Bird. The other has a high, round orchid-colored collar: the Flower. Two more handsome, chisel-cut blond males trail them, engaging in sedate conversation like old friends.
I have no choice but to follow them. I thrust forward, joining their party as they converge in a solemn chamber filled with several embryonic vessels. It’s not hard to ascertain that this is a medical room and these steely pods are the equivalent of Manus’s shark tank back on Ethar. Uniformed personnel stand far back from them, almost in reverence at their presence.
A small discussion commences about which one he’s in. A stuttering worker shows them to a particular unit. The six figures gather around this unit. The Flower breaks away from her friend, the Bird, and lays her hand on the lid. The coffinlike capsule opens, emitting a pressurized hiss. I ghost-move around the open lid so that I can see who is in it, but a part of me already knows.
It’s Kyon. Unconscious. Naked. Damn my eyes!
The beautiful flowerlike woman with the full, petal-pink lips places her hand on
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