my spiritual journey: incense steam clouds, amplified pulpit-voice announcements, grand cathedral arches, shafts of lantern-light. I leant out of the window as Mum walked, then trotted alongside the carriage, her eyes suddenly reproachful and gazing into mine. She stopped at the end of the platform, a purple figure frantically waving a handkerchief. Then she was gone.
I sat hunched forward, still suffering from lunch, looking out at the passing immensity of the aged and filthy city wartorn from Hitler’s bombs. Taking The Imitation of Christ from my pocket I read the passage I had marked weeks earlier with a picture of Our Lady of Perpetual Succour:
It is no small matter to dwell in a religious community, or congregation, to converse therein without complaint, and to persevere therein faithfully unto death. Blessed is he that there lived well, and ended happily.
Opposite me sat a smartly dressed woman. She smiled, her broad lips thick with orange lipstick. But I avoided her eyes and watched the factory buildings and terraced houses slipping by. In glimpses between tunnels and high embankments, the countryside finally opened out to the horizon. I felt a delicious sense of sadness as the train sped on, carrying me farther and ever faster away from Mum and the family, from Father Cooney, from the huge, bruised city of London. From the World.
21
T HE SUN WAS setting as the steam train laboured alongside a fast-flowing river, brassy blue-green in the late afternoon sun. I could see drystone walls bordering steep fields; clusters of pine trees on the summits of dark red cliffs. Eventually there was a line of cottages and a factory foundry with clashing engines. A man lit by the reflection from a furnace stood in a doorway mopping his brow. We had arrived at Oakamoor.
The waiting car was a cavernous pre-war Austin. The driver greeted me with: ‘Now then! Cotton!’ As we lurched away, he explained that the factory was a copper mill. ‘They keep those furnaces going day and night; even on a Sunday,’ he said. The taxi paused at a crossing for the train to pass. There was a church in a steep graveyard, dense with decayed headstones. We crossed a bridge where I could see a broad weir blurred with rising steam. Oakamoor was a settlement of workers’ cottages. The dwellings cowered below the wooded flanks of the hills that rose on all sides. There was a shuttered pub.
We began a climb through hairpin bends. The road was narrow, bordered by lush pastures and coppices. At turns I could see back down to Oakamoor, virtually hidden now in mist. Higher and higher we went. Then the driver called out: ‘There she is!’ We were running along a straight stretch with overarching trees. In the distance, through a break in the woods, I could see a cluster of buildings which seemed to cling perilously to the side of the valley.
We paused at a crossroads by an ancient stone inn and turned left, passing a hamlet of single-file cottages. ‘That was the village of Cotton, that was,’ said the driver facetiously. As we passed along a level lane, sideways to the hillside, the college came into full view. At its centre was an imposing mansion towhich was attached a barrack-like stone building with lighted curtainless windows. To the right of the mansion, silhouetted in the evening light, was a stone church with a spire. The college faced out across a thickly wooded shoulder of the valley; above and beyond were playing fields rising in terraces towards the crest of the valley.
There were iron gates and a driveway ahead, but the driver followed the lane around the back of the buildings and came to a halt on a cinder yard as spacious as a football field. Depositing my bags, he said: ‘You go down there to the lower yard…up the steps, and someone will look after you.’ He seemed to imply, by his sympathetic tone of voice, that he felt sorry for me. Wishing me goodnight, he got into the car and shuddered away.
It was now dark, the air
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