Sepharad by Antonio Muñoz Molina Page A

hotel that called itself the Commerce.
    They rented a room. They went upstairs to go straight to bed because the electricity would be turned off at nine. Sitting on the bed beneath a bulb that faded to pale red then revived to shed an oily yellow light, they shared a package of food they’d been given by the Red Cross. Then, dressed, and with their arms around each other, they lay down, icy feet touching beneath the thin blanket and threadbare bedspread. Her mother, Camille Safra told me, never locked doors; she was terrified of being trapped, of losing the key and not being able to get out. In the shelters, when the air-raid sirens sounded, she had attacks of sweating and panic. If they went to the movies, as soon as the film was over she rushed to the exit, for fear that everyone would leave before her and they would lock the doors, thinking the theater was empty.
    Mother and daughter woke at dawn. Through the window, beneath the beating rain, they could see a rustic patio with chicken coops and an area of garden. They took turns washing with the icy cold water in the pitcher beneath the washstand and dressed in the drab, dignified, and inexpensive clothing they always wore, clothes that never kept them warm, just as there was never enough food to satisfy their hunger. When her mother tried to leave the room, the knob wouldn’t turn, the door wouldn’t open.
    â€œI told you last night not to turn the key.”
    â€œBut I didn’t, I’m sure.”
    The key lay on the dressing table opposite the bed. They inserted it in the lock, turned it this way and that, but nothing happened. The key didn’t click, it seemed not to meet any resistance, merely turned ineffectually in the lock. It wasn’t that it didn’t fit because it was the key to a different room. The mechanism appeared to function, but the door simply didn’t open.
    The mother grew nervous. She rattled the doorknob and the key, beat on the lock, bit her lips. She said in a low voice that if they didn’t get out, they would miss the train to Paris and couldn’t go back to Denmark, would have to stay forever in France, where they had no one, where no one had given them so much as a smile of welcome, not even recognition. She took the key from the lock but then couldn’t get it back in, and when she finally did, refusing to let her daughter help her, she turned it so hard that the key broke in half.
    â€œWhy don’t we ask for help?” said Camille. “They’d laugh at us, two ridiculous Jews. Who ever would expect to be locked in like this?”
    They tried the window: it, too, was impossible to open, although they didn’t see any latch, and of course there was no lock. They had to ask for help. A few minutes later, her mother, now out of control, her jaw hanging loose and her eyes glassy with fear—the fear she’d suffered during the flight that had saved her daughter four years before—beat on the door with desperation, yelling for help.
    It was with relief that they heard footsteps on the stairs and along the hallway. The owner of the hotel, with the help of a wire, managed to extract from the lock the half of the key that had broken off, but when he introduced the master key, the door still wouldn’t open. From both sides, the door was pushed, shaken, and pounded, but it remained firmly locked, and the wood was too thick and the hinges too solid for them to batter it down.
    Her mother was choking. She had sat down on the bed, in her black traveling clothes—ancient overcoat, small hat, and wide, misshapen shoes—and was breathing open-mouthed, nostrils flaring, wringing her hands or burying her face in them, the way she had when mother and daughter went down into the shelters during the raids at the beginning of the war. We’ll never get out of here, she kept saying, we shouldn’t have come back, this time they
won’t let us leave. Camille then made a decision