shoot!â I jumpâwe both doâbut then I think,
Freeze?
Do people still say that?
Selwyn and I make a synchronized turn, hands raised, legs crossed at the ankles like backup singers performing a 1960s groove.
A cop stands in front of the steps, gun pointed our way. âOkay, you two. Hands in the air. Nice and high. Thatâs the ticket.â
I raise my hands even higher. I can tell the cop means business, but thereâs also something only mildly intimidating about a cop who talks as if he were part of a crime noir drama. Plus, I notice that what I thought was a gun is a Taser.
âYeah, thatâs it. Steady now. Nice and slow.â
He moves ninjalike on his tiptoes, his Taser raised with outstretched arms, as if at any minute Selwyn and I might pull something on him. Heâs of a brown-skinned variety that makes him appear all races at once, and heâs dressed entirely in black with black combat boots and a heavy black jacket and black cap. A pencil-thin mustache floats between frog lips and a bubble nose.
He walks up to Selwyn as if after ten years on the job heâs finally catching some action and wants to make the most of it.
âStretch âem,â he says. He kicks Selwynâs feet apart and actually starts to frisk him.
âHey, leave him alone!â I yell. âHe hasnât done anything.â
âJust let him do his job,â Selwyn says as though trying to keep everyone cool.
âYeah,â the wanna-be cop says, âlet a man do his job.â
He takes out Selwynâs wallet, checks his driverâs license, and, unimpressed, returns it to his pocket. He then gives Selwyn one last pat and takes a step back. âYouâre clean.â
âI couldâve told you that myself.â He jerks his arm away and immediately straightens his tie as he goes about gathering back any remote traces of lost dignity. âLook, Officer. We got lost. We were on our way home from a party and got turned around.â He reaches for his back pocket.
Seeing him make a move, the cop leaps forward. âWatch it now!â he yells.
âCome on, man; you just frisked me. Iâm clean, remember? I just want to give you my card.â He takes out his wallet and hands the cop a business card. âNameâs Selwyn. Selwyn Jones.â
âHe works for the mayor of Livermore,â I add emphatically.
The cop turns on his flashlight and reads the card. âSo if you work for the mayor, what the hell are you doing out here?â
âLike I said, we got lost, but my lady here wanted to see the telescopes. Weâre having a tough night. You know how it goes.â
I shoot him a look.
âYour lady?â
âIâd like you to be.â He winks.
âYou do realize we havenât known each other for a full twenty-four hours?â
âBut think of it, Kil; itâs been amazing. You just showed me Saturn. I knew there was something special about you, and I was right.â
The cop lets out a loud whistle. âBoth of you, quiet! Shut up!â He steps closer. âYou two need to be more careful. Lotta nuts come out here.â
âYeah,â I say, staring right at him. âWhat are you, anyway? Youâre not a cop, are you?â
âNever mind what I am. I protect this facility here, and thatâs all you need to know. They have top-secret stuff in those buildings that radicals and terrorists would love to get their hands on.â
He starts toward the steps, leaving Selwyn and me to wonder what weâre supposed to do. Once at the stairs, he pauses. âWhat the hell are you waiting on? When I say nuts, Iâm talking about you. I want you two outta here!â
We do as weâre told and rush over. He gives a satisfied nod, and we start down the stairs and back toward the front gate. Weâre back at the entrance in no time.
The cop unlocks the gate and waves us through. âAll right, you
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